Sunday, July 31, 2011

"Your Scandalous Ways," by Loretta Chase

The Chick: Francesca Bonnard. Her husband divorced her, society turned its back on her, but she refused to die in the gutter and instead became one of the most expensive and celebrated courtesans in Europe.The Rub: Her independence is threatened when shady men with shadier intentions start sniffing after some incriminating letters of her ex-husband she may or may not have stashed away...Dream Casting: Anne Hathaway.

The Dude: James Cordier. Before his superiors let him retire from the spy game, his last job is to retrieve some letters by any (sexy) means necessary from a courtesan in Venice.The Rub: He's a master of seduction and secrecy who's just looking to settle down with a nice, uncomplicated virgin to marry - too bad he starts falling for Francesca, the very opposite.Dream Casting: Eric Bana.

The Plot:
Spy Superior: Go and steal some secret letters from a famous courtesan!

James: Piece of cake...

Francesca: Hey there, sailor!

James: ....sexy, delicious cake. Mmmmm cake. DAMMIT.

Evil Men: Die, whore, die!

James: *rescues* Hello, pretty lady. I am a totally trustworthy noble who is totally not trying to steal letters you've been hiding from the British authorities!

Francesca: Why thank you! Care for some free sex?

James: *so very tempted* Yyyyyyyyyyyno. No thank you.

Francesca: How DARE you refuse me! I'm awesome and expensive! Watch me go and have an affair with a boyish innocent prince!

Boyish Innocent Prince: Hi! You're awesome and expensive!

James: DAMMIT.

Evil Thugs: *loot Francesca's house*

James: For the love of all that is holy, Fran, would you give me those letters and have hot, semi-violent sex with me?!

Francesca: In that order? Wait, how the hell do you know about the letters? YOU LIED!

James: I LIED!

Francesca: I'M OUTRAGED!

James: SO AM I!

Francesca: I STILL WANT TO HAVE SEX WITH YOU BUT BECAUSE I'M HEAD BITCH IN CHARGE I'MMA JUMP OFF THIS BALCONY AND MAKE YOU DRAG ME OUT OF THE CANAL FIRST!

James: Wait, what?

Francesca: *jumps* Wheeeeee......

*several hot passionate lovemaking scenes later...*

Evil Sexy Villainess: Hey! Someone order a villain?

Francesca and James: *glare*

Evil Sexy Villainess: Well fine then. Rude. *jumps in canal, and is unrescued*

Francesca and James: Hooray!

Romance Convention Checklist

1 Evil Ex-Husband

1 Crazy Jewel-Hungry Whore

Several Very Nice and Well-Kept Whores

1 Innocent Boyish Prince

Several Expensive Jewels

1 Packet of Traitorous Letters

1 Surprise! Father

1 Instance of a Hero in Drag

The Word: Thank God for Loretta Chase.

Just when I thought I was getting tired of romance. Just when I thought I couldn't handle another book full of tired lustspeak instead of plot, cardboard characters, and meaningless sex scenes.

Thank God for Loretta Chase. I think one of the reasons I love her books is that in each one, she manages to break or at least challenge one of the Major Rules of Romance and get away with it.

In Your Scandalous Ways, she busts two of the biggies:
  1. Thy Heroine Shall Not Be an Unrepentant HoBag
  2. Thy Heroine Shall Not Enjoy Sex With Another Man After Meeting the Hero
But Francesca Bonnard couldn't give less of a crap. She's a courtesan - an actual courtesan. As in, one who actually has sex for money. No, she's not a courtesan's virgin twin sister who's taking her slutty doppelganger's place while Slutty Sis gets a mani-pedi. No, she's not a special "kink" courtesan for impotent men while preserving her virginity for a "special" customer. No, she's not earning money on her back to repair the leaky roof of the local Puppy Orphanage.

No, she's in it for the dolla dolla bills. And maybe a little payback. Francesca used to be the naive wife of an ambitious politician, until he decided he was better off without her. The ensuing divorce proceedings stripped her of every scrap of reputation, good name, and friendship she had. Knowing her ex-husband fully expected her to sink into impoverished, diseased obscurity - she threw herself in the opposite direction, turning herself into a celebrated, fabulously wealthy courtesan, the toast of the Continent.

James Cordier, an experienced British spy, has also earned enough of his pay on his back to apply for Francesca's union. He's had to play so many parts to save the British Empire from certain doom, that he wants nothing more than to retire and settle down with a nice, virginal English bride. Too bad he's got one last job: a powerful member of Parliament may be a traitor, and his now-infamous ex-wife may possess letters that prove it - and James needs to get those letters.

However, James is not the only one after those letters, and he ends up rescuing Francesca from hired assailants. So now he must juggle the daunting tasks of Protecting Francesca, Finding Those Damn Letters, and Avoiding Francesca's Wiles - and Francesca throws wiles like it's her job - oh wait, it IS her job!

Francesca is a fantastically involved character. She's not only an experienced whore, but she actually enjoys the life she leads and all the luxuries that come with it. None of this "secretly I cry myself to sleep in the shower trying to wash my soul free of sin" nonsense. While yes, she does harbour a small, secret yearning for England and the life she used to lead, she relishes the independence she traded it for and balks at the idea of giving it up for any reason, even her own safety.

But James? He's all about the protection. He can't understand why this stubborn woman won't let him swoop in and take over everything like the Captain Britain Superhero he's used to being. But she's not one to sit quietly by and sip tea while James does all the legwork. James is so used to going alone, or with the aid of women he seduces and manipulates, that he's engaged and enchanted by this woman who refuses to relinquish her hold on life - even if it's for her own damn good, the silly wench.

And honestly, I loved every minute of it. This whole book seemed, well, sumptuous. The descriptions, the dialogue, the setting of Venice - Loretta Chase's writing style makes reading this book like running one's hands down a string of pearls - each word smooth, polished, beautiful, just the right fit for its place, all running together into a luxuriant, rich piece. I don't know how else to describe it, for my own words fail me. But Chase doesn't stop with words - you feel for all her characters (Francesca in particular), their development and romance.

Your Scandalous Ways is perfect indulgence - the kind with substance along with style.
A+

Monday, July 25, 2011

"The Hunger Games," by Suzanne Collins

Our Protagonist: Katniss Everdeen. A hardbitten teenage
survivor of impoverished District Twelve, she's gotten by with few resources and fewer emotional entanglements.
The Rub: When her one emotional entanglement (her younger sister Prim) is endangered by the brutal custom of the Hunger Games, Katniss takes her place in the fight-to-the-death tournament.

Our Supporting Cast:

Gale: Katniss' BFF and Possible Love Interest #1. A fellow hunter and scavenger like herself. Promises to look after Katniss' family while Katniss is gone.

Peeta: District 12's other tribute for the Hunger Games, and Possible Love Interest #2. A lowly baker who's never had to struggle for survival the way Katniss has, he still has a few canny tricks up his sleeve.

Haymitch: Katniss and Peeta's mentor for the Hunger Games, a previous Hunger Games champion who's quite capable and helpful - when he's sober. Which isn't often.

Cinna: Katniss' surprisingly sympathetic and helpful stylist for the Hunger Games.

Effie Trinket: Bitchy McBitchface.

Cato: A ferociously violent boy from a wealthy district who is the odds-on favourite to win the Games.

YA Convention Checklist

1 Dystopian Setting

2 Possible Love Interests

1 Fake Relationship that Evolves Into More (?)

1 Grizzled Rebellious Mentor Figure

Several Costume Changes

1 Thankful Loaf of Bread

Several Explosions

1 Convenient Poison

The Word: Katniss Everdeen is a survivor. An inhabitant of the impoverished District 12, her days are consumed by endless hours of searching, hunting, scavenging, trading, and stealing to make sure her family has food on the table. She wastes nothing - not time, not food, and certainly not emotion. Her father is dead, and her mother can't be trusted - at least in Katniss' eyes.

There are only two people in the world she spares feelings for - her innocent kid sister, Prim; and Gale, her friend and partner in food acquisition. Nothing and nobody else matters - not the privileged (few) rich folk, not the other eleven districts, and not the Capital.

Until the annual Hunger Games roll around - a barbaric tradition where two teenage "tributes" are selected from each district to participate in a brutal fight-to-the-death tournament for the nation's entertainment. The Games' lone winner goes home set for life - and the winner's District is showered with wealth and support for an entire year. The other twenty-three kids come home in boxes.

Katniss worries that her name might be selected (the tributes are chosen by drawing names, but teenagers who put in their names more than once are rewarded with extra food), but something far worse happens - sweet 12-year-old Prim's name is drawn instead, so Katniss volunteers to go in her place. The other tribute is Peeta, the son of the local baker whom Katniss recognizes but barely knows.

Now, at least for the first few chapters, The Hunger Games sounds a lot like the Japanese manga/film series Battle Royale, since they both involve corrupt societies forcing teenagers to kill each other until only one remains. But The Hunger Games goes further than that, showing us the media and societal aspect of the Games themselves.

Once Katniss and Peeta are chosen and taken to the Capital, they are given over to a professional team that involves their "mentor" Haymitch (a canny drunkard who is the last person from District 12 to win the Hunger Games), a prissie PR expert named Effie Trinket, and a stylist named Cinna. While Katniss and Peeta also receive some weapons training, they also get training in attitude, personality, and how to perform well in interviews. Because the Hunger Games, it seems, aren't just for the tributes - they're also the nation's entertainment. Enormous amounts of money change hands during the Games as people bet and place odds, and wealthy people can even "sponsor" a tribute who stands out from the pack by sending them hints and even supplies during the Games themselves.

It's the social aspect of the Hunger Games that fascinated me the most while reading this book - the fact that even once the Games have started and Katniss has to fight for her life, she still has to consider the millions of people who are watching her every move from hidden cameras. The more audience sympathy she has, the more sponsors she can get, and the more secret advantages she'll be given. However, if she appears too rebellious or starts openly questioning the Powers That Be, those same Powers can manipulate the Games to make them that much harder for her.

This plays especially well into the complicated relationship she develops with Peeta, her fellow tribute. At the beginning of the book, Peeta surprises them all by declaring to the media that he and Katniss are in a romantic relationship. The "tragic romance" angle gains them so much audience interest that Katniss plays along with the ruse in order to survive - even as she increasingly starts to question how much of it Peeta's actually faking.

Katniss is the central character of The Hunger Games and she doesn't disappoint. She's a girl who has had to fight for all the she has and she refuses to deal with deadweight - such as her mother, whom she rejected after the woman's depression nearly caused their family to starve. She's unaccustomed to trifling with people who can't keep up with her, so having to slow down and help Peeta (in order to support their cover story of being tragic lovers) goes against all of her stronger (if not necessarily better) instincts. Their interactions are fascinating, and I look forward to reading how they continue their relationship (along with Gale) in the following books.

As a book, The Hunger Games is excellently paced. The language is precise while still evocative. The worldbuilding - well, that's a shakier subject. The novel's focus is more on the story and less on where it happens, so a lot of the sci-fi, the technology, the history, and the dystopian aspects of the world itself seem a bit vague or convenient. But maybe I will learn more when I read the following books. As it is, The Hunger Games was thought provoking and entertaining with a strong female protagonist. Thumbs up!
A-

Friday, July 22, 2011

"Talk of the Town," by Karen Hawkins

The Chick: Roxie Treymayne. Newly divorced from her cheating husband, she's all set to change her life, change her hair, and become the bad girl she never got to be.
The Rub: Until her mother suffers a heart attack, and she now has to drag herself (and her new hair, piercing, and tramp stamp) back to her hometown of Glory, North Carolina, where she was the perfectly-perfect Prom Queen.
Dream Casting: Rebecca Romijn.

The Dude: Nick Sheppard. Formerly the town troublemaker, he left
Glory to become a straight-arrow cop. Now he's back in Glory as the sheriff, just in time to see his first love, Roxie, roll back into town with a whole new look and a taste for trouble he no longer shares.
The Rub: He left his big-city cop job after his supervisor let a pretty young thing lead him into police corruption, so he's determined that no woman will let him stray from the straight and narrow.
Dream Casting: Harry Connick Jr.

The Plot:

Roxie: Hey now that my husband's run off with a dude I'm going to be all hawt and free-wheeling and tattooed and stuff! I'm going to see the world!

Mother: *heart attack*

Roxie: ...crud.

Nick: Hey now that I'm a sheriff after having to leave the big city when I ratted out my cop buddies, I'm going to have to stay completely clear of troublesome women in order to maintain my integrity!

Roxie: Hey y'all! I got a tattoo! Close to my BUTT!

Nick: ...crud.

Random Old People: Let's solve crimes! And be nosy busybodies and make snap judgements! We're old and sick and going to die soon, so that makes it funny and okay!

Nick: Don'thavesexwithRoxieDon'thavesexwithRoxieDon'thavesexwithRoxie.

Roxie and Nick: *have sex*

Nick: D'OH!

Roxie: Hey, remember when we were hot teenagers whose love burned out really fast for no reason?

Nick: I only heard the first half of that sentence.

Random Evil Assailant: Hey look! I'm evil! And not who you expected! Die, Roxy, die!

Nick: No, don't!

Random Evil Assailant: Okay.

Nick: Let's get married.

Roxie: Hooray!
Romance Convention Checklist


1 New Tattoo

1 New Body Piercing

1 Surprise! Gay Husband

1 Comic Relief Maid Who Is In Reality Incredibly Annoying

1 Possible Murrrrrder

1 Secret Murrrrrder Mystery Club

1 Secret Murrrrrrder Mystery Club Bong

The Plot: Roxie Treymayne has had it up to here with her charmed life. After years of being the perfect daughter, student, Prom Queen and wife, Roxie finds herself set adrift (albeit with a huge monetary settlement) after she discovers her husband in bed with another man (a development that is played, rather uncomfortably, for laughs).

So Roxie decides to HELL with being the Good Girl. She dyes her hair blond, changes her wardrobe, gets herself pierced and tattooed and is all set to jet off to Venice or Paris to live the high life she never allowed herself to - just in time for her overbearing mother to have a heart attack, necessitating Roxie's return to her hometown of Glory, North Carolina, to help care for her.

On the way into town, she runs into none other than Nick Sheppard - the former town bad boy, whose teenage fling with her was the only rebellious move Roxie'd ever made under her mother's roof. He's cleaned up into the town sheriff, and he's more than a little surprised by Roxie's new attitude on life.

Their attraction flares back to life almost instantly, now with the added spice of having their moral standpoints reversed - now Nick is on the straight and narrow while Roxie is determined to cause trouble. However, neither is willing to renew their relationship. Roxie wants nothing more than to settle her mother's affairs (one of which involves babysitting a senior citizen's club and their birdbrained attempts to solve a mysterious death) as quickly as possible so she can resume her plan to travel the world and have an adventure.

Meanwhile Nick's viewpoint on women has been tarnished by his past as a big-city cop who was forced to rat out a beloved mentor who turned corrupt thanks to the wiles of a Troublemaking Woman, and he's afraid that succumbing to his renewed lust for Roxie will lead him down a similar path.

First of all, for this book, I liked the protagonists and I really enjoyed the idea of the novel - that of the Bad Boy and Good Girl who reunite years later with their standpoints reversed. While I found the hyuk-hyuk Roxie's Husband Loves a Transvestite! plotline trite, unnecessary, offensive, and even a little nonsensical (Roxie feels she wasn't feminine enough for her husband - um, he's gay, femininity was the problem), I loved her new attitude and how she moved on from it. Similarly Nick Sheppard manages the toe the fine line between Distrusting Himself Around Women and Distrusting Women, so his romantic reservations come across as a little paranoid but not misogynist.

I also enjoyed the mystery element - the bad guy was not who I thought it would be, surprise, surprise.

But at the same time, I wasn't totally engaged. The two protagonists are generally reasonable but they also aren't very interesting beyond their initial problems. As well, the humour is pretty hit or miss. Madcap humour is especially difficult - there is a thin line between crazy-hilarious and crazy-annoying, and I felt most of the characters and their depictions fell into the latter category, particularly Roxie's housekeeper Tundy who seems to be there mainly to spurt anecdotes and wacky words of wisdom.

I'm also not a fan of mystery romances where the heroine, who is not in law enforcement and has no law enforcement training, gets butthurt when the cop hero won't let her ride along on a case or handle or keep crucial evidence. I'm sorry, but the reason he won't let you do that is because it's the law, not because he doesn't trust you. Calm your tits.

As it is, Talk of the Town was a pleasant but not very memorable read.
B-

Tuesday, July 05, 2011

AnimeJune Takes Manhattan: RWA 2011

Well, now that I'm all rested and ready to leave for Ireland tomorrow (hectic jetsetter that I am), I thought I'd give you all a recap of my trip to the Big Apple for the Romance Writers of America's 2011 National Conference.

Did I do some things differently this year? Yes. I didn't attend as many workshops. I didn't pitch. I researched YA, and I didn't go hog-wild at the booksignings this year. In fact, I think I attended three signings and walked away with fewer than six books total.

Did I have a good time, though? YOU BET I DID!

Day One started on Monday. Flew into New York, and despite a bit of panic over a very, very tight connection, arrived in one piece and on time to reconnect with 2011 RWA Librarian of the Year Wendy and Rosie! We fell into chatting (while I unhinged my jaw and devoured a chicken quesadilla - due to the tight connection, all I'd had for lunch was a banana, some string cheese and a Fresca) just like old times, like we totally hadn't been separated by geography for a year!

And Times Square, let me tell ya, it's a glorious spectacle the first, oh, three times you walk through it to the hotel, but afterwards, well, it's kind of like being assaulted by real-life Internet pop-ups. All advertisements, all the time, great big neon letters. After a while, I totally understood why all the native New York attendees advised us to get the hell out of the Square to experience the real city life. Honestly, it made the merchandising in DisneyWorld look subtle.

Anyhoo, the next day (Tuesday) was my Annual Day of Not Pacing Myself. For my three years of attending RWA, I've turned Condensed Sightseeing into something of an art form. In 2009, I tramped over the National Mall in Washington DC in one day - taking the Metro, seeing the Smithsonian, the National Monument, and the memorials for three different wars. In 2010, I explored three Disney parks in two days swimming through Floridian humidity in July.

Firstly, though, I picked up my Conference Swag:













Bitches can't handle my swag! Books that I really wanted to read, a beautiful conference pen, a flashdrive (of course!), a booklight, a water bottle bag thing that leaked all over the place, and a really helpful New York map from Carina Press and the Smart Bitches!

After that, it was time to really explore New York. I decided to forgo the $17 waffle offered by the hotel restaurant and foraged through Times Square, eventually settling on an EZ Deli that made a mean pancake platter for $4.50 - so quite the bargain in comparison to the overpriced hotel meal.

After that, I took the New York subway to the Museum of Natural History. Now, I'm young and Canadian and watch far too much TV so I was really touristy about a lot of things - like how, "oooh! The subway looks like just it does in the movies!" A lot of New York appeared "just like the movies" or "just like TV" to me. Sad but true.

The museum itself was amazing - lots of dioramas, dinosaurs, giant whales, and stuff animals (not the cuddly kind).

After that, since the museum skirts Central Park, I decided to walk across Central Park to reach the Metropolitan Museum of Art (which also borders Central Park - on the other side). First, though, lunch - a soft pretzel and mustard. I shared the pretzel with a horde of fearless, well-fed New York pigeons and the mustard with my pants. And none with the homeless person sleeping on the bench since I didn't even notice him until I threw the rest of my pretzel in the garbage.

Central Park was glorious - everything was ripe and green, the day was hot but not too hot. Again, the movie-lover in me took over, because I flipped out over the bridge from Enchanted (and the New York episode of Glee) as well as Bethesda Plaza where the musical number of "That's How You Know" (again, Enchanted) was performed.

Central Park is a bit of a maze, though, and it turned out to be a pretty long hike from one end to the other, with a lot of twists and turns and misdirection.

But it was fun to walk. I mean, I had no real idea of how enormous Central Park was. I kept thinking, it's one park in the centre of an enormous city. How big can it be?

The answer - pretty fucking big. But after about an hour and a half of walking, I finally made it to the other side, to the Metropolitan Museum of Art.



First of all, it's a gorgeous building all on its own, with loads of Palladian columns and people hawking their own art in front of it. Inside, there were loads of different exhibits. I wanted to see the Savage Beauty exhibit (dedicated to the art of Alexander McQueen's fashion) but there was an estimated 45 minute wait and a line of about two hundred people just to get in to that, and as it was already mid-afternoon I decided life was too short and went and explored the exhibits for 19th century portraits as well as armour and weaponry.

There was so much to look at - gorgeous pictures, cool swords, statues and sculptures and pastels... after a while it became a bit of a sensory overload and even then I had to pry myself away and cab back down to the hotel to get there in time for the Literary Autographing.

I arrived in time, starving and footsore as expected.














But I saw Christie Ridgway!














And Shirley Thomas! Who told me she'd read my review of His At Night and thought my casting for Spencer Stuart was spot on - and that it got her to watch Downton Abbey (always a plus!).














Then I saw Kate Noble and got her newest book, Follow My Lead.














Reconnected with Courtney Milan and bought a copy of Unveiled.














Fangirled over Rose Lerner! Although her new book still isn't out yet!














FINALLY FINALLY FINALLY got to meet Marjorie M. Liu! I love her books!














Met with Victoria Dahl and Joanna Bourne again, as well.














Checked out both Jennifer Echols and Simone Elkeles, too, as I'm now trying to write YA and they seem to be the best in the biz right now - I also went to Elkeles' very helpful YA workshop with David Levithan.

As well, I managed to snag the last copy of It Happened One Season (a project-sequel of sorts to the lovely anthology It Happened One Night) and got it signed by Stephanie Laurens, and I met Jo Beverley, who very kindly signed my old, yellowed, used copy of Forbidden (which I'd read on my flight over) instead of making me buy the new re-issue.

I couldn't stay for the whole signing however - I was swaying on my feet by then, not to mention starving. I'd also been invited to the Nelson Literary Agency party (for being an author-friendly blogger, as it turns out!) and if I didn't have anything to eat before then I wouldn't be fit company for anyone, much less a party of authors and literary agents and publishing industry professionals.

So - I caved. One of the things I wanted to do while I was in New York is find one of the great, fabulous, glamourously secretly awesome restaurants and eat there but I was short on time and long on hunger so I ate at the McDonald's on Times Square - but walking, food in hand, I ended up having an unexpected celebrity experience.

I'd noticed in the morning that the middle of Times Square had an enormous Transformers display, with smashed cars and cranes and a life-size replica of Bumblebee. Well, now that it was evening, I discovered it was actually for the New York premiere of the third Transformers movie, Dark of the Moon - and I actually got to see Josh Duhamel walk by. I got a video of him, actually, which was pretty cool. I didn't have time to wait and see if Shia LaBoeuf showed up, unfortunately, so I made my way back to the hotel, gussied myself up, and shared a cab with fab author Carolyn Jewel to the NAL party.

The cocktail party hosted by the Nelson Literary Agency was amazing - it was held at a restaurant on the roof of a twenty-story building, so I could see brilliant New York skyline at dusk. Spoke to some authors, some agents, ended up in a long conversation with Andrew Shaffer and one of the writers for GeekMom, a lovely women who also writes Viking erotica whose name I have forgotten, as well as a couple of people who worked with digital books whose names I have also forgotten (I'm still rifling through my business cards, bear with me). Great conversation. Amazing view. Open bar. I was in heaven, although honestly, by the end of the day my knees were wobbling - I'd probably sat down for maybe 20% of the day, with the other 80% spent walking, running, and standing.

So I poured myself into bed and woke up the next day to start with the full conference experience. Today I actually did cave and get a $17 waffle because this year the conference didn't offer complimentary continental breakfast, and yet the opening session still started at 8:30 in the morning. But whatever. The opening session with Diana Gabaldon, Tess Gerritson and Steve Berry was eye-opening (Outlander apparently started as a "practice" book that was never supposed to be published), and Madeline Hunter gave a lovely speech for her keynote address at the luncheon.

In between that and the Book Blogger Tea, I ran into Jodi Thomas (who wrote Rewriting Monday, which I reviewed), and had a lovely chat with her and her friends. I told her I wanted to be published, and she said, with absolute certainty, "You will be. You know why? Because you care enough about it to come here." What a sweetheart!


After that, I went to the Book Blogger Tea hosted by Harlequin's Digital Team. We got to fill out survey sheets about what we liked to read and review (although I doubt I'll get anything because I said I preferred print to e-pubbed books), and we all got handmade fascinators (I kept mine - I'm the one in the pink shirt on the photo on the right). Saw Kristie J there, too (the woman in the red plaid in the picture on the left).

I could only stay for about half an hour, though - I had other things to prepare for. Big things. One big thing in particular that's been on my Bucket List since I was about seven years old.

My first live, real, original cast Broadway show!
I saw The Book of Mormon at the Eugene O'Neill Theatre, and the experience was, well, pretty much beyond words. Amazing, hilarious, and life-changing are pretty mild, surface-scratching descriptors.

Needless to say, it was the highlight of my whole trip. The songs, the dancing, the actors, the jokes ... it was amazing! I sat in row B, close enough to spit on the actors (not that I would - they were awesome!), and I saw everything.

After that, well, the rest of the conference was still pretty good. On Thursday, I went to more workshops, cheered for SuperWendy upon winning the Librarian of the Year award, listened to Sherilyn Kenyon's depressing, inspiring, horrifying, uplifting keynote speech. Met author Lila diPasqua at our table (and she convinced me to pick up a copy of The Princess in his Bed at one of the signings the next day), and then did more sight seeing.

This time I went and explored 30 Rockefeller Plaza. The home of NBC Studios and the Top of the Rock Attraction. Weirdly enough, the security to get to the top of a building was more rigorous than the security at LaGuaria Airport, but the view was sure worth it!

You have to go up 67 floors to get to the top - the ride lasts 45 seconds and they play images and music on the ceiling of the elevator as it goes up and down.

But I got my sightseeing on and returned down in time to take the NBC Studio Tour - there we got to see Dr Oz's studio (getting renovated) and Jimmy Fallon's studio for The Late Show with Jimmy Fallon. Jimmy's studio was tiny. Like, living-room tiny. All the studios in NBC are small because they all started out as radio studios, so they've had to make due. Apparently, Jimmy can only seat an audience of about 182 people (Leno gets twice that, at least), and the producers use a wide-angle lens and never pan between Jimmy, the floor, and the band in order to trick people into thinking the studio's bigger.

Seeing that was nothing compared to seeing the studio for Saturday Night Live - a show I've been watching religiously for about ten years now. I actually got to walk down the hallway where you see all the pictures of the cast and the guest stars! They were renovating inside, too, but we still got to see the major stages - there are three. The middle stage is where they have the monologue and the easily collapsible stages like Weekend Update.

The right stage is the semi-permanent stage which they use for difficult-to-set-up bits like sets that require stairs or water falls or something. The stage on the left is the one for the musical guests, and the guide (an actual page! Like Kenneth!) told us they've now had to include the stage's size in their contract with the musical artists because both times Kanye West forgot and had to squeeze forty ballerinas and giant gospel choirs onto that tiny stage.

After that dream come true, I trecked up to see and pray at St. Patrick's Cathedral. It even had a teeny-tiny gift shop.

And after that was the Gathering, the party for the FF&P Chapter of RWA. Great hors d'oeuvres, chocolate fondue, and goodie bags for everyone.

After that, it was Friday. The last day of the conference. I actually went to a couple of booksignings today, mainly to get Jennifer Echol's Love Story (which I did!), and some other cool books, too.

For my last afternoon of sightseeing, I checked out the Paley Center for Media - the new name for the Television and Radio Museum. When I walked in, I was greeted by this small, neat British man who introduced me to the exhibits - it's not a museum for walking around. For the price of admission, you can go downstairs to the theatre and watch all the specials and retrospectives and documentaries about television, and you can go upstairs and have an hour and a half of time watching anything from their enormous, enormous library of shows and archival footage. I watched a little bit of everything - some of the original pilot of Sesame Street, to 13-year-old Alannis Morrisette in You Can't Do This On Television, to the incredibly silly pilot of Cop Rock (America's one and only musical police procedural).

I got back in time for dinner before the RITAs - with a pretty sad result. I asked a certain other blogger to a Japanese place a friend of mine had suggested. She accepted, then turned around with a bunch of other attendees and told me we were having Thai. We walk from the hotel to the famous Restaurant Row, and I discover I can't eat at the restaurant because they cook with a food to which I am fatally allergic. The response from everyone? Oh well. Everyone went in. I stayed out. I got ditched.

It would have been easier to take if the Thai restaurant had been in the middle of nowhere, but we were on Restaurant Row, where you could literally cannot throw a rock without hitting a restaurant. They were up and down ninth avenue, all different styles and ethnicities of cooking. We could have gone anywhere else. Literally. And while I'm used to eating alone, I guess, it felt so depressing to be left on my own for the my last dinner at RWA. I just wish they'd told me they didn't want to eat with me while I'd been at the hotel. Because then I could have flagged down someone else.

I ended up eating alone at a Cajun place (with a yummy fried shrimp po'boy), cheered myself up by reading Jo Beverley's Forbidden, then went to the RITAs. And that was pretty much my New York vacation. I had a blast, I saw some great sights, and ... well, I have to admit that it wasn't so much about the conference this time. Going back over my memories of the trip, 90% is what I saw around New York and The Book of Mormon, and about 10% was the conference itself.

I don't know what that means, exactly. I still like writing, and I'm still working on a novel and want to be published, but the conference experience just wasn't with me this year, I guess. I'd let myself grow apart from my writing (or at least that part within the romance genre), so I felt a bit of a disconnect this year.

But I still managed to carry home some swag! Yeah, that's what I wrote - carried home. No shipping for me this time. I just took the books I wanted, and only enough to fit in my suitcase Hurrah for tiny apartments and will power!


We'll see what next year brings! AND NOW - ONTO MY ENORMOUS REVIEW BACKLOG!

Thursday, June 02, 2011

"Dark Angel / Lord Carew's Bride," by Mary Balogh

Dark Angel

The Chick: Jennifer Winwood. Betrothed to a neighbouring lord since she was fifteen, she's eager to enter into marriage with him while enjoying her first proper Season.
The Rub: Despite his horrid reputation, the dastardly Earl of Thornhill insists on ensnaring her attention in ways her fiance can't.
Dream Casting: Bryce Dallas Howard.

The Dude: Gabriel Fisher, Earl of Thornhill. Society believes he impregnated his own father's wife and fled with her to the Continent out of shame - but he's returned to England to punish the real man responsible.
The Rub: What better way to punish the scoundrel who seduced his stepmother than by seducing his beautiful, pure fiancee, Jennifer Winwood?
Dream Casting: Ian Somerhalder.

The Plot:

Jennifer: I can't wait to meet my lovely fiance who is totally not a secret douchebag!

Gabriel: I can't wait to ruin the secret douchebag who porked my stepmum by seducing his lovely fiancee! Jennifer, look into my eyes, I am so tortured and and alone...*bedroom eyes*

Jennifer: *mesmerised* I will do whatever you say.

Gabriel: Cool.

Jennifer: Wait. Something's not right.

Douchebag Fiance: Hey look, Gabriel left a secret letter that totally mentions how he's been banging my lady this entire time. The fact that this secret letter's written in my own handwriting is of no account!

Gabriel: Guess we have to get married then!

Jennifer: I HATE YOU.

Gabriel: Love you too, I'm off t0 kick My Lord Douchebag's ass!

My Lord Douchebag: *is revealed to be a douchebag8

Jennifer: Okay, I love you again now.

Gabriel: HOORAY!
Romance Convention Checklist

2 Ruined Reputations
1 Secret Baby
1 Almost Secondary Romance
1 Caning (Unsexy Variety)
The Word:
So, I was having kind of a downer week, feeling frustrated with romance, and I decided to pick up a Mary Balogh novel, because usually nothing wakes me up out of my reading slump like Balogh.

Dark Angel/Lord Carew's Bride are the somewhat-connected short novels about the romantic misadventures of two cousins, Jennifer Winwood and Samantha Newman, and their run-ins with My Lord Douchebag, Lord Kersey.

In Dark Angel, Jennifer is actually engaged to My Lord Douchebag and has been since she was fifteen, only she thinks he's My Lord Awesomeness. Experiencing her first Season rather late (at twenty), she's still eager to go to all the balls and dances and social events before becoming My Lady Awesomeness.

However, Gabriel, Earl Thornhill, wants revenge against My Lord Douchebag. Years ago, My Lord Douchebag seduced, impregnated, and abandoned Gabriel's young stepmother, leaving Gabriel to take the rap when he escorted her to the Continent to escape the scandal. Now he's back, a social pariah, and he's determined to make My Lord Douchebag pay for what he did - and he sets his sights on the scoundrel's young, innocent fiancee as the means to this end.

All this sounds well and good, and to his credit, Gabriel is very subtle with his seduction of Jennifer, but the main flaw in this story is that it really is too subtle and Jennifer looks like a doormat whenever she gives in. She repeatedly gives Gabriel leave to dance with her, touch her, get her alone, and kiss her and all because she somehow believes she has no other option but to do as he says or look terribly rude.

This being Mary Balogh, the writing is lovely and the characters are, for the most part, rational people, but story is a little unfocused. Again, the heroine comes across as a bit spineless as the hero leads her a merry chase, and when real scandal unfolds, her motivations for her following decisions are almost comically shallow. However, this story gains points for having a heroine who is genuinely is love with someone who is not the hero (even though he turns out to be My Lord Douchebag).

All in all, a pleasant but unremarkable read. B


Lord Carew's Bride
The Chick: Samantha Newman. The younger cousin of Jennifer Winwood, she swore off love after a devastating heartbreak in her past. But nothing's wrong with a platonic friendship with harmless gardener Hartley Wade.The Rub: When that particular heartbreak from her past returns to haunt her, she decides a happy, passionless marriage to Hartley will keep her safe - but what if love and passion find her, regardless?
Dream Casting: Rosamund Pike.

The Dude:
Hartley Wade, Marquess of Carew. A bit of a recluse as well as a cripple, he never thought he'd earn the affections of a gorgeous, sophisticated woman like Samantha Newman.The Rub: However, the woman he loves comes with Boyfriend Baggage that hits surprisingly close to home.Dream Casting: Lee Pace.

The Plot:

Samantha: No more love for me! Tra la la, life is so simple and uncomplicated!

Hartley: Why, hello there. Let's be friends. *in head* OMG a girl is talking to me, a real girl, she's so pretty, I love her hair, she smells nice, but not in the pervy way, does she have a boyfriend? Is it too early to propose? She smells nice.

Samantha: Wow! Spending time with you is so much fun! *in head* He's so sweet and caring and nice and fun to spend time with and considerate and respectful - gee, it's a good thing I don't find him attractive in the least or else this would be really complicated!

Samantha: Oh, look at the time, I have to get back to London! *in head* Complicated feelings are complicated.

Hartley: Have a good time then. *in head* SHIT, better get my ass down to London!

In London

Earl Douchebag: Hey sweet cheeks! Nice legs, what time are they open?

Samantha: Oh, crap.

Hartley: Well, hey! Fancy running into you in London! What a crazy random happenstance! Did I mention I want to marry you, and that I'm secretly a marquess?

Samantha: Sure, whatever. Let's get married.

Hartley: YES. *in head* YES YES YES YES *EPIC FISTBUMP* By the way, care to meet my cousin, Earl Douchebag?

Earl Douchebag: 'Sup. We've met. *winks*

Samantha: ... this is awkward.

Hartley: Um, if you need me, I'm going to be in my chambers writhing in the agony of embarrassed despair.

Earl Douchebag: Mwahahaha!

Hartley: No, wait, I've decided I'm going to be kicking you in the face instead, because I am a secret bad-ass street fighter!

Earl Douchebag: *royally ass-kicked*

Samantha: You are so awesome. *in head* I was in love with him the whole time. Who knew? I just got Shyamalan'd.

Hartley: HOORAY!
Romance Convention Checklist

The Word:
Now, while "Lord Carew's Bride" is even lower in conflict than "Dark Angel," I found I enjoyed this short novel immensely.

Back in "Dark Angel," Samantha Newman, Jennifer Winwood's cousin, was seduced by My Lord Douchebag who thought he could use her feelings for him to influence Jennifer into breaking their betrothal. When a lovesick Samantha nevertheless refused, My Lord Douchebag threw her off and found other, less ethical means of breaking his engagement to Jennifer. Guilty, heartbroken, and ashamed, Samantha swore off love.

Six years later, despite entering into a seventh Season surrounded by loving admirers, Samantha has retained her independence, although her enjoyment of city life has begun to wear a little thin. While visiting Jennifer and her husband in the country, Samantha slips away for some precious alone time and strikes up a friendship on the neighbouring estate with a young gentleman with a crippled arm and leg whom she takes to be a gardener. She enjoys his company immensely, albeit in a platonic way, but when circumstances force her to return to London after four afternoons together, she feels the loss surprisingly keenly.

Unbeknownst to her, the "gardener" is actually the reclusive, shy, and adorably-Beta Marquess of Carew. Crippled by a childhood "accident" and yet owner of one of the wealthiest estates in England, Hartley decided not to correct Samantha's assumption that he was a gardener for fear of losing her genuine affection. However, it takes him all of five seconds to fall head over heels in love with her, so when Samantha returns to London he decides to follow her.

More drama arrives in the form of My Lord Douchebag, now Earl of Douchebag, who has returned from his exile on the Continent after his father's death. He almost immediately renews his attentions towards Samantha, who is alternately terrified/attracted to him. Fearing her old torch for him may reignite with disastrous consequences, she recklessly accepts Hartley's sudden marriage proposal, thinking a safe, passionless marriage will protect her from Earl Douchebag's insidious influence. No dice: Douchebag and Hartley are actually cousins, with a shady history of their own.

The main reason I enjoyed this story so much is due to Hartley - a sweeter, more self-effacing and yet brave Beta hero I have yet to meet. He is adorable. He is, in fact, such a lovely, beautiful man that I often found myself getting annoyed with the heroine, who spends much of the story in heavy Denial regarding how Perfect Hartley is. She says how thankful she is that Hartley isn't attractive more than once. She marries him to protect herself with little regard to his feelings and fails to realize until it's too late that he's crazy in love with her. She's not a bad person or a badly developed character, and she comes around in a truly subtle and realistic way in the end, but during these times of cluelessness I just felt so bad for Hartley.

But Beta doesn't mean weak, and Hartley finally gets to avenge both his wife and his childhood enmity with Cousin Douchebag in a truly awesome scene. For this one, I give it a high B+.

Tuesday, May 03, 2011

"Tangled Up In Love," by Heidi Betts

The Chick: Veronica Chasen. When she needs to challenge Dylan Stone, a rival from another paper, she decides to bet that he can't learn how to knit in a month.
The Rub: She's on easy street until he comes knocking at her door with $1,000 asking her to tutor him in knitting. How can she resist his cash-- er, I mean his debonair charm?Dream Casting: Chyler Leigh.

The Dude:
Dylan Stone. A wannabe sportwriters in a mere columnist's job, he gets his kicks from teasing and challenging the hot writer from a rival paper - but she bets he can't knit an article of wearable clothing in a month, he knows he's in for a real challenge.
The Rub: He knows there's more to this girl than she lets on - if only she could teach him more than just how to pearl one, knit two.Dream Casting: Ryan Kwanten.

The Plot:

Veronica: I hate you for no good reason!

Dylan: Well, I hate you for no good reason MORE!

Meddlesome Old Bag Character: You should totally hook up! Let me get my magic spinning wheel!

Veronica and Dylan: NO.

Veronica's Meddlesome Friends: We should totally get our gal pal drunk and leave her with the man she's professed to hate! That will end well!

Veronica: WORST FRIENDS EVER. Oh well, guess we have to have lots of protracted sex scenes.

Dylan: Okay, then.

Boots: *are knocked*

Veronica: Hey, you're not such a bad guy.

Dylan: Hey, you're not such a bad gal MORE.

Veronica: Wow, and while we were hooking up, it's like all of our personal problems up and solved themselves!

Dylan: Convenient, that. Wanna hook up some more?

Veronica: Sure!

Dylan: HOORAY!

Romance Convention Checklist

Several Annoying Matchmaking Meddlers

1 Inexplicably Intense Professional Rivalry

1 Secret Boxcar Child Past

1 Magic Spinning Wheel

1 Skein of Magic Yarn

Several Untrustworthy Sequel-Baiting Friends

1 Strongly-Worded Ass Tattoo

The Word: Lord, save me from Meddling Matchmakers. I have many reasons to be grateful that my life is not a romance novel, and one of them is the fact that none of my relatives or friends are "inspired" to go to ridiculous, "comedic" lengths to put me in uncomfortable situations with a guy I'm genuinely angered or creeped out by, thanks to the delusional belief that if you complain about a guy enough, it must mean you secretly love him.

I hate the Meddling Matchmaker characters. They're one of my pet peeves in romance novels, these nosy, invasive people who treat the heroine's distaste/discomfort with the hero as if it's some cute little flaw, and stridently engineer situations in which the heroine is forced to spend time with the hero regardless of her opinions or feelings on the matter.

Such is the case here in Tangled Up in Love. Our protagonists, Veronica and Dylan, are columnists from different papers who have carried on a heated professional rivalry for years, ever since Dylan got the columnist job that Veronica believed she deserved. They haaaate each other, so it's a good thing their wa-ha-hacky friends know their own feelings better than they do!

This novel is weird for me - the plot itself isn't very high-conflict, so what conflict there is, is hyped up to such an extreme level as to seem almost ridiculous. Veronica and Dylan's rivalry plays out mostly in challenges and one-upsmanship in each other's columns - in one, Veronica dares Dylan to skydive, in another Dylan challenges Veronica to get a tattoo, etc. etc. But for some reason, they see each other in terms of actual hate and continually think the worst of each other for no real reason. Their rivalry is based on professional jealousy - Dylan got the job Veronica thought she deserved. Where do all these assumptions about Dylan's character flaws come from? To me, this doesn't make the heroine look sassy and feminist - it makes her look like a petty bitch constipated from eating too many sour grapes.

Anyway, Veronica is recovering from having her ass tramp-stamped thanks to another journalistic dare from Dylan and needs to come up with something she'll beat him at, and she decides to challenge Dylan to learn enough about knitting to have a completed project by the end of one month. Veronica, of course, has the home court advantage as she's a member of a knitting group of Meddling Matchmaking Sequel-Baiting Friends, headed by a Meddling Matchmaking Crazy Old Lady Mentor Figure.

When Dylan's first attempt at knitting fails spectacularly, he decides to bug Veronica at her knitting group, and their bickering is like blood in the water to all the Meddling Matchmakers in attendance. The Crazy Old Lady Mentor Figure decides to use her magic spinning wheel that has been in her family for generations and has been known to bring true love to people who wear its wool - I am not even kidding. I wish I was kidding, because this plot point is so completely irrelevant, useless and cutesy.

But at least it's not as bad as what the Sequel-Baiting Friends do - which is take Veronica to a bar, get her drunk, and intentionally abandon her so that she'll have to go home with Dylan. The guy she has repeatedly said she does not like and doesn't want to be around, regardless of the sexual attraction.

LIKE, BEST FRIENDS EVER, RIGHT?

Of course, this leads to many scenes of humping (Dylan's ethical code is, "I don't do drunk girls" - unless a drunk girl asks him to), and while this doesn't change their attitudes towards each other very much, it does give them an incentive to get together more often. And somehow, in between the humping, their pillowtalk miraculously solves their long-held issues and problems - which, like the rest of this novel, are pretty low key and easily solvable but are blown up beyond their normal proportions.

For instance, thanks to an out-of-nowhere poverty past, Veronica is terrified of being left destitute so despite her successful job she hoards money and buys no-name products, will do almost anything for money, and is always on the lookout for a job that will bring in more cash. Oh, but one word of advice from Dylan to go and speak to an actual financial adviser and one tacked-on scene with her parents cures that pretty darn quick.

Also, Dylan's book-long angst about not having the job he really wants (as a sports writer) is solved in a face-palmingly easy fashion when Veronica reminds him that one of his Sequel Baiting BFFs is a famously press-shy hockey star. Yes, the heroine has to remind THE HERO of his own friends.

Honestly, while this novel isn't terrible, it's still lacklustre and annoying because the story sustains itself by making so many angst-mountains out of mere nuisance-molehills, and padding out the rest with ridiculously unnecessary and somewhat disturbing matchmaking antics. So this time, this novel gets a
C

Friday, April 22, 2011

"The Lady and the Libertine," by Bonnie Vanak

The Chick: Anna Mitchell, a.k.a. "Karida." An illegitimate English girl raised by Bedouin tribesmen, she guards a sacred ruby while longing for her aristocratic father to acknowledge her as his child.The Rub: When a dastardly Englishman steals her ruby, she will do anything to get it back - and almost anything to redeem the rogue who stole it from her.Dream Casting: Gemma Arterton.
The Dude: Nigel Wallenford, Earl Claradon. He's got a birthright to claim and an illegitimate son to raise, which requires more money than he's got - so why not head to Egypt and steal a ruby?The Rub: And since that ruby's being guarded by a hot holier-than-thou chick, why not steal her virginity, too?Dream Casting: Jake Gyllenhaal
The Plot (Tumblr is Too Slow and Cumbersome, it Turns Out! Back to the Same Old, Same Old!)

Nigel: Hi! I'm the hero! I'm a total bad-ass stealer of jewels, cheater at cards, and despoiler of women! *in head* But none of that matters because I'm broke and nobody loves me and I live in a bottomless pit of despair!
Karida: Hey! I'm the heroine! Nobody wants to marry me because I'm all burned and can't have babies and stuff, but at least I have my honour and this great job guarding a sacred ruby.

Nigel:
Oh wow, Karida is so pure and awesome, way too good for someone like me... *in head* ...that over-pious bitch. Imma steal your ruby, how about that?

Ruby: *stolen*
Nigel: Ha-ha! Take that, woman! ... *in head* ....MY ENTIRE LIFE IS A BLACK SOULLESS LIE! Did I mention how NOBODY LOVES OR UNDERSTANDS ME?
Karida: DAMMIT. Curse your dastardly good looks! If I don't get that ruby back, I'll be the worst ruby-guarder ever!" *tries to steal ruby* *gets caught* Wow, I am the worst ruby-guarder ever!
Nigel: If you don't want to go to prison, you and me are going to have to TOTALLY GO ALL THE WAY ... *in head* ...I AM A HATEFUL, EMPTY SHELL OF A HUMAN BEING UNDESERVING OF ALL PLEASURE OR LOVE... *out loud* But in all seriousness, if your clothes aren't off in five seconds I'm calling the cops.

Karida: I find your manipulative sexual coercion inexplicably attractive! Plus, I find it super-hot that my burn scars aren't enough to convince you not to rape me!

Nigel: Sweet, let's get married!

Karida: Um, no.

Later, in Egypt...

Nigel: Hey baby, does this rag smell like chloroform to you?

Karida: *unsexy swoon* *wakes up naked in a whorehouse*

Nigel: Let's get physical! Do me or I'll tattle to your family and make you marry me anyway!

Karida: His actions say I'm a dangerous, obsessive rapist but his dreamy eyes say I'm a secret puppy dog, scratch my lonely tummy! Do me, you lonely stranger! Let me marry you and cure your evilness with my womanly purity!

Nigel: Don't have to tell me twice! *in head* I'm just a poor boy, nobody loves me.....

Nigel's Mum: Guess what! Your Secret Baby isn't yours!

Karida's Uncle: Guess what! Your Secret Daddy isn't yours!

Nigel and Karida: Oh, well then.... This is awkward.

Karida: What to do me while I'm tied to railroad tracks?

Nigel: HOORAY!

Romance Convention Checklist
1 Former Thief-Turned-Sacred Guardian Heroine

1 Sexy Naked Date Achieved with Chloroform

1 Impenetrable Disguise

Too Many Secret Babies and Dads to Count

1 Loss of Virginity Through Blackmail

1 Priceless Ruby

Several Fake Rubies


The Word:
Oh, my word. This book.

For this book there are almost no words.

Okay, maybe I can come up with a few words - like how it's books like these that make me understand why people look down on romance.

Let's fill you in on the particulars - first, while this book does function as a standalone, it apparently helps to know a bit about the events that took place in the previous book,
The Scorpion and the Seducer, because the hero of this book, Nigel Wallenford, is the lately-reformed villain of that novel as well as the identical twin brother of that novel's hero.

Nigel Wallenford recently discovered proof that he, not his brother Thomas, is the real Earl of Claradon, and that his parents forged his birth records to indicate otherwise when they learned that a childhood illness apparently rendered him unable to father heirs. On top of that, he's also got a Secret Baby who may or may not be his stashed away in a secret location who needs financial support, which he does not have (Being a Total Licentious Dick to Everyone in the Ton is an expensive lifestyle, it seems).

So, in order to solve his multitude of life problems, he's faked his own death and is posing as his goody-two-shoes-twin in Egypt in order to suss out the location of a sacred ruby that could complete a key that leads to some fabulous treasure.

....Confused yet? You're not alone.

Karida is the young Bedouin tribeswoman tasked with guarding this sacred ruby to ensure no one can access the fabulous treasure. In truth, her birth name is Anne Mitchell, and she was raised in a workhouse in England before being rescued by an aristocrat who may or may not be her father - who sent her to Egypt to live with his Bedouin in-laws. She has since turned her back on her street-thief childhood to live an honourable, if lonely, life guarding her ruby.

Despite their confusing backstories, Nigel and Karida had the potential to have an interesting story - goodness knows the setting and the culture are unconventional and adventurous enough.
Unfortunately...

Nigel is, very obviously, meant to be the Conflicted Villain Hero. However, in his case, being Conflicted means he still goes around acting like a Ginormous Prick, only he Feels So Bad About Himself and Is Crying On the Inside as He Does It.
Again, though, as much as his whinging, angsty, mopey inner monologue wails and screams about how He Is Unworthy of Happiness and Nobody Loves Him, he still goes around doing horrible, awful, completely irredeemable things.

You see, he needs to steal the ruby from Karida, and is at once enthralled and resentful of Karida's pure-as-snow reputation. He mentally ping-pongs between "She is so pure and good, I don't deserve her, I should avert my gaze and wallow in my low self-esteem" and "She is so pure and good,
that bitch, I should totally fuck with her mind - as well as other parts of her".

However, by the end of these inner conversations, his Shoulder Angel is always the one sobbing in the shower while his Shoulder Devil lights up a cigarette in the bedroom next door so he promptly steals Karida's ruby and hightails it back to England. Once she discovers the theft, Karida follows him to London. When he catches her trying to steal the ruby back, he claims he's calling the police, no one will ever believe her side of the story, and the only way she can get out of being sent to prison is to have sex with him.

Yup, he blackmails the heroine into giving up her virginity. After spending 10 hellish years in a workhouse, the idea of prison is a legitimate terror for Karida. And this isn't one of those scenes where Nigel
says he's going to blackmail her but pulls back at the last minute with an I-can't-do-this-unless-you-want-to excuse.

But oh - she secretly wants it and he doesn't mind her burn scars plus he's totally hot and she gets loads of orgasms out of it so it's really not sexual coercion - except that,
oh yeah, IT TOTALLY IS. In this case, I don't even care about the heroine's reaction - I'm outraged enough by the fact that Nigel thinks, "Hey, it'd be a great idea to force the woman I love to have sex with me under the threat of jail time" and actually goes through with it, and we are somehow expected to believe he is the hero and that this is a sympathetic and romantic scene. What in the actual FUCK.

But oh - it gets worse. It gets so much worse. Karida heads back to Egypt in shame after refusing to marry him (and Nigel makes some creepy-ass "I'll get you, my pretty"-esque comments regarding
that), but Nigel dons a Nerdy Nice Guy disguise and follows behind. Once they reach Egypt, he tricks her into going out alone with him, takes her into a shady alley and chloroforms her into unconsciousness.

Karida then wakes up in a brothel, naked and tied to a bed.
BY OUR HERO, LADIES AND GENTLEMEN. Our "hero" who then orders her to have sex with and marry him, threatening to tear her clothes and tattle to her guardians if she refuses. Oh - and just to clear things up, he insists he won't be raping her because he'll make sure she likes it because he's just that good. Oh, my little heart goes pitter-patter!

And
this, of course, leads me to why I despise the heroine just as much. It's not just that she's annoying - despite being raised by loving and supportive adoptive parents, she spends much of her time moping and whining about how it doesn't matter because her "real" father in England won't acknowledge her. Ungrateful much?

And it's not just because she has all the self-esteem of a dirty dishcloth thanks to burn scars that (mysteriously) left her (apparently) unable to conceive.

No, I hate her character because, far from reacting with horror (or at least indignation) at waking up naked and bound in a whorehouse, she stubbornly insists that Nigel is "noble and good." She knows this because she can see the "pain and anguish" in his eyes - and not the
chloroform-soaked rag in his hand. I kid you not - throughout the first half of this book, Karida judges Nigel solely by the tumultuous angst pouring from his weepy peepers instead of his actual, despicable actions - he stole her sacred ruby. He then blackmailed her into sex. And now he's got her hogtied in a house of ill-repute - but oh! He's so tormented and hurt!

The whole coerced sex isn't even an issue for her - instead she's blubberingly grateful that her hideous burn scars didn't scare her rapist off. She even accedes to his offer to marry her - because once they're bound by matrimony, she'll have all the time in the world to "change him," which mainly involves continually telling him how good and noble he is. Because nothing cures the urge to rape like positive reinforcement, let me tell you.

It's at this point that I'd like to inform my readers that this book was first published in
2007, so it doesn't even have the excuse of being dated that the dog-eared "forced seduction" novels of the seventies and eighties had. This is one of the absolutely worst examples of romantic pairing that I've ever come across - the exact kind of Desperate-Doormat-Heroine-"Cures"-Angry-Rapehappy-Manbeast-Hero stories that the literati assume all romances must be like.

I'd like to say the rest of the novel doesn't even matter after such hideous characterization, and it's true that the rest of the novel's mediocrities pale in comparison to the story of how Karida Cured Evil With the Magic of Her Vagina. But the rest of the novel sucks, too. While the setting descriptions are lovely, the treasure-hunting scenes are strongly reminiscent of
Indiana Jones, there are way more Surprise Secret Daddy plots then there needed to be, and the resolution is pat and cheaply handled thanks to some complete character 180s.

All of this together is enough to put
The Lady and the Libertine in incredibly select company (sharing a grade with only two other books after four years of reviewing) - but that's not a good thing.F