Tuesday, September 02, 2008

"Sweet Spot," by Susan Mallery


The Chick: Nicole Keyes, fraternal twin sister to Claire Keyes, heroine of Sweet Talk. Nicole's life's a trainwreck at the moment - her husband Drew cheated on her with Jesse, the baby sister she practically raised since she was six years old. The only thing worse than reliving the painful betrayal is being the butt of her friends' pity. On a whim, she offers Hawk plenty of hot commitment-free sex in return for pretending to be her adoring new boyfriend to deflect the constant "aww, how sad" looks from her friends, family and coworkers.
The Rub: Despite her own near-constant state of family crisis and her conviction that she'll never land a decent man, Nicole's biological clock is madly ticking, and not at all assuaged by her sister Claire's blissful state of pregnant engagement. To make things even worse - Jesse turns out to be pregnant, too: possibly with Drew's kid.
Dream Casting: From the start of Sweet Talk, I'd always pictured Nicole as played by Slither's Elizabeth Banks.

The Dude:
Eric "Hawk" Hawkins. A former NFL-player-turned-football-coach, he likes Nicole on sight and aggressively pursues her. When she offers herself to him as his on-call sex kitten in return for his pretend commitment, he thinks he's hit the jackpot...
The Rub: ... as long as he thinks he doesn't actually have to commit. He "doesn't do relationships" after he lost his beloved wife Serena to cancer. A house full of girly knicknacks and hordes of pictures of his dead wife contest to the fact that he's only got room in his life for Serena and Brittany, his teenage daughter.
Dream Casting: Huge, muscular, and hot? It could only be The Shield's Kenny Johnson.
The Plot:
Nicole: I caught my husband cheating with my sister and threw them both out, and now I'm alone. Could life get any worse?

Claire, Nicole's Sister: *happy pregnant sparkle* Oh, how terrible. *sparkle sparkle*

Nicole: Grrr....

Hawk: Hey, you're hot.

Nicole: Oh, good. Let's have sex and you can pretend to adore me!

Hawk: Works for me!

Jesse, Nicole's Backstabbing Baby Sister: Guess what, I'm pregnant!

Sheila, Precocious Stray Dog: WOOF! (translation: So am I!)

Brittany, Hawk's Teenage Daughter: I'm pregnant, too! Yippee!

Hawk: WHAT?! Nicole, this is all YOUR fault - you're like a preggo magnet!

Brittany: Scratch that, turns out I'm just gassy.

Hawk: Uh, Nicole, we can get back together now.

Nicole: Yeah, well guess what - I'M PREGNANT.

Hawk: SHIT. Uh... I mean ... Let's get married.

Nicole: HELL no.

Hawk: What if I buy you presents, first?

Nicole: Okay.
All Condom Companies in the Greater Seattle Area: *bankrupted*

Romance Convention Checklist:
1 Sexy (Ex-) Football Player
1 Single Dad/Widower
1 Scrappy Yet Honourable Foster Child

1 Relationship-Aiding Pet

4(!) Unplanned Pregnancies

1 "Whoops I Peed on the Stick Too Soon" Non-Pregnancy

1 Saintly Late Wife Who Continues to Influence From Beyond the Grave

1 Crazy-Ass Spoiled Cheerleader Bitch Daughter
The Word:
In my review of the first book in this trilogy, Sweet Talk, I mentioned how at first it was hard to like Nicole Keyes, sister to famous pianist Claire Keyes, because she seemed like such a vindictive, angry person. While her own novel, Sweet Spot, is definitely not up to snuff, it isn''t because Nicole is the heroine this time. I actually found her to be an incredibly likeable character and found myself relating to her very easily. Sadly, Sweet Spot didn't hit the spot, mainly thanks to some frankly unbelievable and contrived plot developments, wishy-washy characters and one character U-Turn that turned the latter half of this novel into a real slog.

As mentioned in the previous book, Nicole's not having a very good year. In Sweet Talk, she recovered from gallbladder surgery, knee surgery, and the betrayal of catching her husband sampling Jesse's goodies, all the while reconciling with Claire, her other sister who had never had the chance to really connect with her family thanks to her musical career.

Even though Claire and Nicole are on pretty friendly terms now, Nicole's happiness meter remains fairly drained. Even though she realizes in hindsight that her marriage to Drew was a mistake from the start, Nicole believes finding a man who truly cares about her is a lost cause. She's a workaholic who's never developed a social life and is a rut person, so she's convinced she only has more of the same to look forward to.

Than she meets Hawk. When Nicole catches a teen, Raoul, stealing donuts from her bakery, Hawk, the kid's football coach, tries to talk her out of calling the police. Nicole ends up calming down more thanks to Raoul's sincere apology and acceptance of responsibility than because of Hawk's domineering intervention, but Hawk feels an attraction to her anyway, an attraction that Nicole secretly returns but is too frightened to admit.

Hawk, in an admirable twist, is a man who knows what he wants immediately, and thus begins openly and aggressively coming on to Nicole. Nicole initially refuses, although Hawk does manage to rope her into hanging out with him and volunteering for his football team. Eventually, however, as the nasty surprises start piling up in her personal life (finding out about Jesse's pregnancy through their lawyer, Cheating Bastard Drew's unwelcome re-appearance, the smothering pity of her friends and family), Nicole desides it's time for a little "Selfish Me Time." She offers Hawk an audacious deal: Hawk can have her any way he wants, as often as he wants, whenever he wants. In return, he'll play the part of the Doting Boyfriend in order to fend off the draining sympathy of Claire, refute the hurtful comments from Drew, and convince as many people as possible that Nicole Keyes' life is not a Bottomless Pit of Suck.

The first stages of Nicole and Hawk's courtship are funny and sexy. Hawk's honesty about his pursuit of Nicole is refreshing, and his macho alpha-male "act first and ask Nicole's permission later" approach comes across as flattering and necessary instead of offensive and domineering. Nicole is a rut person who's comfortable with familiarity, so it feels realistic that a she'd need a take-charge partner to force her to change her routine and enjoy new things. Mallery's characterization of Nicole is spot-on and relateable. Although she does tend to maintain a negative image of herself, she's fierce enough that she never comes across as a self-pitying dishrag. She's believable and real and I found myself relating to her on a number of levels.

However, as the novel moves towards the second half, several plot elements occur that seem so forced that it moves the story in an equally forced direction. It placed unnatural stress on the characters that skewed the story. Spoilers ahoy: Hawk's teenage daughter Brittany gets pregnant, and abruptly transforms from a bubbly and harmless minor character into a flat-out ridiculous, spoiled princess bitch within the span of a few pages. The set-up seemed hopelessly contrived, because it created character traits and weaknesses out of thin air that were not properly developed and set up in the first half. Hawk is demonstrated to be a perfectly capable parent in the first half, but once Brittany gets pregnant, Brittany drops about ten years in mental age and Hawk suddenly becomes an incompetent father. With proper buildup and clues that Hawk might have been ignoring certain aspects of Brittany's character, Mallery could have pulled this off, but as it was, it seemed too out-of-the-blue for me.

From there, things get more convoluted, until the last thirty pages were a swamp to get through. You can probably picture it in your head - lots of backtracking, indecisiveness, running around, scapegoating, and ice cream binge eating. Hawk's final wooing of Nicole is so cheesy and cheap, that it almost wrecked the goodwill stored up from his forthright courtship at the novel's start. While this novel had a firecracker of a heroine and some excellent initial scenes, the book's action eventually ends up hinging on unbelievable happenstance. C+.

Monday, September 01, 2008

"The Viscount Who Loved Me," by Julia Quinn


The Chick: Kate Sheffield. Thanks to her family's strained finances, she has to share her first season at the advanced age of twenty-one with her seventeen-year-old half-sister Edwina. Knowing Edwina, the more conventionally pretty one, is the more likely of the two to make an advantageous match, Kate makes it her duty to make sure Edwina doesn't fall for a cad.
The Rub: Years of living in Edwina's sparkling, gorgeous shadow have left Kate with an overdeveloped sense of her own unattractiveness. Is also irrationally terrified of thunderstorms.
The Dreamcast: Nora Zehetner, a.k.a. "Eden" from Heroes. She looks to be just the right match of pretty and pert to play the saucy Kate.

The Dude:
Viscount Anthony Bridgerton. The eldest of the eight Bridgerton siblings, he lives a rakish existence but still takes his duties as head of the family very seriously, ever since his father died unexpectedly of anaphylactic shock from a bee sting when Anthony was eighteen.
The Rub: He worshipped his father to such an extent that his father's sudden death at the age of 38 convinced Anthony that, just as he supposedly can't measure up to all of his father's other accomplishments, he won't be able to surpass his dad's lifespan either, so he lives life as if his days were already numbered. Is also terrified (albeit a little more understandably) of bees.
The Dreamcast: Firefly's Sean Maher.

The Plot:


Anthony: I need a wife.

Colin, Anthony's Brother: Well, Edwina Sheffield's pretty.

Anthony: She'll do. **ACTUAL QUOTE FROM NOVEL**

Kate: Nu-uh! You won't go near her!

Anthony: Will too!

Kate: Will not!

Anthony: Will too!

Kate: Ow! Bee sting!

Anthony: NOO! MUST SUCK OUT VENOM!

Kate and Anthony: *compromised*

Anthony: Uh, I like my women the way I like my coffee, COVERED IN BEES?

Kate and Anthony: *married*

Bishop: ....till death do you part....

Anthony: Yeah, well, that's what? Eight years? Not too bad.

Kate: *carriage overturns*

Anthony: SHIT. We could have had EIGHT years!

Kate: Hey, I'm still alive!

Anthony: YEAH!

*ten years later*

Anthony: *still alive*

Bees: *not amused*

Romance Convention Checklist:

1 Heroine With Poor Self-Image

2 Inconvenient Phobias

2 Inconveniently Dead Parents

1 Relationship-Marring Pet (dog)

1 Relationship-Advancing Insect (bee)

2 Cameos from Characters from Previous Quinn Novels (Simon and Daphne!)

1 Game of Pall Mall (croquet) Involving the Mallet of Death

The Word:
The second in the Bridgerton family series of romance novels by Julia Quinn, this one involves Anthony, Daphne's oldest brother who appeared in The Duke & I for almost the sole purpose of punching Simon in the face. This review is rather spoiler-heavy, so you've been warned.

Now, of course, he gets his own story. Anthony, the eldest Bridgerton, was the one who was the hardest hit when the children's father died from a sudden allergic reaction to a bee sting. At eighteen, Anthony was on the cusp of manhood already, while his brothers were sixteen, twelve, and two - and the youngest Bridgerton (Hyacinth) not even born yet. He shared a special relationship with his father and was devasted when he collapsed from a simple bee sting in the prime of his life.

The interesting thing here is that while modern readers will know it was an allergic reaction, realistically Julia Quinn uses the Regency-era ignorance of fatal allergies to create an interesting plot element. Anthony emerges from the tragedy of his father's death with the unshakeable conviction that his days, too, are numbered. In Anthony's eyes, if a man as exalted, accomplished, and unshakeable as his magnificent father could be felled by a mere bee at the age of thirty-eight, than his struggling son certainly can't last much longer.

At the novel's start, he's spent the last ten years living scandalously, all the while still maintaining his duties and responsibilities to his large family. However, as his biological clock keeps ticking towards his imagined endpoint, he decides to settle down to meet yet another duty as Viscount: marry and beget an heir. He really has only three qualities the future Viscountess must meet: 1) She must be reasonably pretty. 2) She must be reasonably intelligent. And 3), she must not be a love match. Really, Anthony reasons, it's better for both of them if neither of them loves the other, because it will only make it more painful when he meets his inevitable early fate.

He settles his eye on Edwina Sheffield, the impoverished but ravishingly lovely star of this year's Season. She's more than pretty, she likes to read, and there's no emotional spark between them. To Anthony, this is perfect, except for one small detail: Edwina refuses to consider any suitor who doesn't meet her older sister's approval. There, Anthony meets a brick wall.

Kate Sheffield's heard plenty about Anthony's rakish ways in the local gossip papers, and is not so easily charmed by Anthony. Far from being a sharp-tongued harridan, Kate is a rather enjoyable and sympathetic character. She's used to being the "other sister," and always unfavourably compared to Edwina. While jealousy's never been an issue since Edwina is thankfully a bubbly and caring person, Kate has convinced herself that no one could possibly notice her if Edwina were in the room as well, and resigns herself to the fate of seeing Edwina married off well so that Kate and her stepmother may live above the genteel poverty line.

She's already suspicious when Anthony approaches her to gain the required approval, and when Anthony tosses off a thoughtless compliment ("you're as lovely as your sister"), Kate immediately pegs him for a dishonest, caddish flatterer - the last kind of man she wants her sister to associate with. Of course, Anthony refuses to be disuaded and rises to the challenge.
I enjoyed this novel very much. At first, I was a little unsettled, because the narrative and obstacle structure of The Viscount Who Loved Me seemed almost identical to that of The Duke & I. Man whose relationship decisions are essentially decided for him by his now-deceased father fights his wrong attraction to a wrong woman, until he and she are compromised into a marriage, where his dark secret problems are confronted and eventually solved in the fourth quarter of the novel.

However, I thought the obstacles and personal problems of Anthony and Kate to be more believable than those of Simon and Daphne, so I felt the structure suited their story more. Simon's refusal to have children in order to spite his dead father came across as rather childish and disturbing and a little exaggerated. Daphne, herself, didn't have any real problems other than the fact that she was a bit too nice.

In The Viscount Who Loved Me, however, both character have realistic foibles that are complemented and eased by their partners. Anthony is terrified of falling in love because ignoring permanent attachments to people has been the only thing keeping him from fearing his early demise. Kate, meanwhile, has to struggle with the nature of their marriage - Kate, stung by a bee, is compromised when a horrified Anthony tries to manually suck out the venom to save her life. The bee stung her on the chest. You can work out the rest of the details yourself. However, while Kate is secretly thrilled to be married to Anthony, she despairs over "trapping" Anthony, hates considering herself to be the second choice, and fears that Anthony's really thinking of someone else when he makes love to her.

Kate is afraid that Anthony doesn't love her. Anthony is afraid that he does. The theme of fears and phobias (Kate is also afraid of storms, as Anthony is of bees) adds an excellent layer to a novel about two people who, to escape their deepest fears, have constructed facades and personalities in order to protect themselves. Anthony arranges his life around his belief that he won't reach his 38th birthday and lives as an emotionally unattached rake, Kate prepares herself for a life of spinsterhood and devotes her life to her sister as she believes she'll never have one of her own. I don't know, but living a life controlled by fear always came across to me as more relatable than living a life controlled by spite.

Despite the similarities in story structure, I quite enjoyed the interactions between the hero and heroine much more in The Viscount Who Loved Me, and how each became a better, less afraid person around the other.  
A-

Friday, August 29, 2008

Proof That I Will Whore For Books


Wow - that picture turned out bigger than I thought it would be. Ahem.

I've heard good things about Nalini Singh about her paranormal series about were-people and psychics. Reading the descriptions, they sounded more like science fiction, but the two genres blend often enough, so who I am to quibble?

Anyway, she's having a contest in honour of her new book Hostage to Pleasure, and part of the contest is for me to blog about which fictional hero I'd like to hold hostage. If I get picked, I win a $75 book gift certificate. Yes, I will do anything for books (see the Julie Ann Long widget on my blog, that's for a contest, too).

Right now, the only character I can think of who I'd like to hold hostage would be Simon from Julia Quinn's The Duke & I. Not because he's particularly sexy (although he has he charms), but so that I can yell at him. Warning - spoilers ahead. In The Duke & I, he tells the love of his life Daphne that he refuses to marry or have children. When he eventually marries Daphne anyway to spare her reputation, he still refuses to have children (he relies on the time-honoured "pullout" method of birth control). The reason he refuses to do this? Because his Mean Ol' Daddy loved the Dukedom that Simon inherits and was obsessed with the idea of continuing his line.

Simon hates his Mean Ol' Daddy and says, "Well, I'm not going to marry or have kids and then the Dukedom will go out of the family! HAHA DADDY I WIN!"

So basically, I would like the chance to hold him hostage, preferably tying him to a chair so I can scream at him "ARE YOU FUCKING KIDDING ME?" Seriously. You're not having kids because your dad would like it? Your dad is DEAD. Who gives a shit about your dad? I mean, he has a reason to hate his dad (he was truly an asshole of the highest calibre), but this whole mysterious "I can never have children" thing, that will basically determine how he lives his life and how he lives his life with DAPHNE is based on a plan to spite someone who isn't even in the world of the LIVING anymore, well, it speaks to very dark, serious psychological problems that I would love to beat out of him.

And then, of course, I would invite Daphne in and than leave the room so that she can properly show him how fun baby-Duke-making can be.

Can you guess I'm a little peeved at emo, emo Simon? Just a tad. At least he marries a nice gal.

Wednesday, August 27, 2008

"The Secret Pearl," by Mary Balogh


The Chick: Isabella Fleur Bradshaw - a.k.a. "Fleur Hamilton." Starving on the streets of London after fleeing from her obsessive cousin and trumped-up criminal charges, Fleur is forced to rely on the ultimate last resort to keep herself alive: prostitution.
The Rub: While she miraculously lands a job as a governess only days after selling her virginity, she is appalled to discover her new boss is none other than her first (and only) john!
Dream Casting: I read the description and thought immediately of Amy Adams - only slightly younger.

The Dude:
Adam Kent, Duke of Ridgeway. Dealing with frustrations in his personal life, he purchases a whore to vent his pent-up emotions on. Afterwards, taking pity on her (and feeling slightly guilty) he orders his personal secretary to hire her on as a governess for his daughter, Pamela.
The Rub: He's scarred from the Battle of Waterloo, but worse, he's married - to a woman who makes no secret of her preference for his younger brother, who was briefly Duke in his place while Adam was MIA after Waterloo.
Dream Casting: I was in a bit of an Enchanted mood while reading this, so I pictured Patrick Dempsey (with a scar), but Clive Owen would suit just as well.

The Plot:

Fleur: I need food!

Adam: I need sex!

Adam and Fleur: *unpleasant deflowering*

Adam's Secretary: You're hired!

Fleur: You couldn't have shown up any sooner, like, before I had to sell my body? Who's my boss?

Adam: Uh....me.

Fleur: SHIT.

Matthew, Fleur's Creepy Cousin: Aha! Found you!

Fleur: DOUBLE SHIT.

Adam: Hey, Matthew, creepy-pervs-whose-charges-against-their-cousins-are-totally-bogus-say-what?

Matthew: What? DAMMIT! *flees*

Adam: Fleur, you're finally safe, but we can never be together because I have a duty to my wife and my family.

Fleur: I understand.

Sybil: *throws self in lake* Splash!

Adam and Fleur: Hurray!

Romance Convention Checklist:

1 Orphaned Hooker with a Heart of Gold
1 Perverted Cousin

1 Case of *cough, cough* Convenient Consumption

2 False Accusations

1 Cheating Wife

1 Caddish Younger Brother

1 Noticeable But Still Sexy Facial Scar

1 Precocious Child

The Word:
In a word: exquisite. This book is probably my favourite historical romance of all time, and it's right at the top of the list of absolute favourite romances, period. And I knew this about fifty pages in. It almost made me want to go back and change all my previous A reviews because they weren't nearly on the same level with this one. It's that good.

Adam Kent, Duke of Ridgeway, comes out of a theatre and sees a woman in the shadows. He recognizes her as a whore, but a newly-minted one: thin, dull-eyed, and dressed only in a wrinkled blue silk dress, she offers no lures, uses no sexual wiles, or makes any real attempt to sell herself (pun intended). He purchases her anyway for reasons known only to himself. He buys a room in a cheap inn, orders her to take her clothes off and lie on the bed, and then he uses her. I really mean the word uses - he doesn't rape or (intentionally) hurt her, but this is no love-and-roses-and-miraculous-first-orgasm deflowering as is common in lesser romances. He has sex with her to vent his own lusts and frustrations and anger and gives no thought whatsoever to her comfort or needs. After the act is finished, he buys her supper and pays her triple her asking price.

However, after sending her on her way, he feels a strange responsibility for her. He knows she was a virgin when he bought her, and could tell from her behaviour that prostitution was her very last and very desperate resort. He decides to send his secretary to the nearest London employment agency to wait for someone matching Fleur's description to show up, with the intention of hiring her as a governess for his young daughter Pamela, who currently lives on his country estate.

Fleur, meanwhile, rouses herself from the depths of despair into which she sank after her foray into prostitution to visit said employment agency, and is overjoyed to be offered the job, although she is unaware of who her true employer really is. Hopeless and starving and on the run from nasty relatives, she had sold herself because her only option was survival. While she can't help but wish that the job offer had come only a few days earlier, she is determined to be the best governess possible and completely forget that one horrible night when she irrevocably lost her gentlewoman status and became a whore.

However, she can't forget. While her job is easy (Pamela's indulgent and lavish mother and elderly nurse insist the child is too delicate for rigorous learning), Fleur has terrifying recurring nightmares about the dark, ugly, scarred man who took her virginity for himself in a night of abasement and selfish pleasure. However, in the daytime she comforts herself with the fact that she will never see him again.

However, Adam finds himself obligated to return to his country estate when he hears that his wife, Sybil, is preparing another raucous and extravagant party for her select (and notoriously indiscrete) circle of friends in his absence. Their relationship is strained, mainly because she is a Big Fat Ho who takes several lovers but won't let Adam touch her. He decides he has to return to keep an eye on her - and also, secretly, to see how Fleur is doing in her new position.

When Fleur finally discovers the true identity of her employer, her feelings of horror and revulsion are beyond words. Frankly, she's about as unwilling as Sybil for Adam to touch her, although Adam makes no attempt to try. While she could always quit, she really has nowhere else to go and her nasty relatives could still be looking for her.

I think the main reason I adored this book is because it highlighted the difference between sexy and romantic. Lots of romances these days (mostly in contemporary but now in historicals as well), the two go hand in hand. Two people meet, fall in instant lust, have lots of sex and accidentally fall in love later. I prefer romantic, and Balogh shows how sexual attraction is good for romance, but not immediately necessary.

Fleur and Adam's first sexual encounter is one of the least sexy, attractive, or fun sex scenes I've ever read, and intentionally so. Although Adam is not cruel or hurtful, the context of the experience and Adam's self-gratifying method traumatize Fleur and leave her with a deep-seated fear not only of Adam, but of sex itself. Fleur, for several chapters after their reunion at Adam's country estate, is both psychologically and physically repulsed by Adam. None of this, "oh I do so hate that tiresome but secretly sexy manly man" hatred that almost immediately turns into passionate, uncontrollable attraction two chapters later, but serious, terrifying hatred. Seeing him makes her want to throw up.

The encounter isn't a cakewalk for Adam either. He almost immediately feels guilty for what he's done, not only because he cheated on his wife, but because he tried to lose his strangled emotions of self-loathing and loneliness in mindless sex, only for it to make him feel worse. While his marriage is pretty much a sham, he was in love with his wife once and he dotes on his daughter and so he resumes his duties to his marriage vows with all the strength he can muster.

The barriers separating Adam and Fleur are numerous and realistic and not at all contrived. None of this "I can't love you because your cousin's hairdresser's dog's groomer's brother killed my brother in a duel" bullshit. Adam and Fleur are intensely noble, loving, and, yes, moral people who are not willing to throw societal expectations and marital obligations to the winds in the face of their growing affection. But grow their affection does, and in wonderful, subtle ways. The Secret Pearl is a long book as far as romances go, so Balogh has plenty of room for Adam and Fleur to slowly and naturally lose their fears around each other and develop something more for each other.

All of this, of course, is paired with superb characterization and a gorgeously-described historical setting. None of the novel's villains (Sybil, Adam's brother Thomas, and Fleur's cousin Matthew) are permitted to be cartoonish, because that, in turn, would cheapen Fleur and Adam's own inhibitions. While the villains' actions are despicable and selfish, their motivations are undestandable or at least realistic - particularly with Sybil. With the first couple of chapters, I was convinced she was the Evil Whore Wife who cared only for her own carnal pleasure and whose fate was sealed from the very first Significant Dry Cough. However, by the end of the novel, while her actions are in no way less hurtful or immoral than they were before, her tragic history provides a reasonable and understandable motivation for her actions and makes her simply a misguided and sad human being with a story of her own, rather than a cardboard ho for the heroine to knock over on her way into the hero's arms.

Besides two sex scenes, and about a dozen kisses, Adam and Fleur share no other sexual contact. Since their first sexual act was so traumatic, their love for each other has to develop and exist independent of lust. It made the few moments when they were intimate that much more romantic and significant. This was a sweet, addictive, beautiful and satisfying read from start to finish, and I'll definitely be checking out Mary Balogh's backlist. It was not a very sexy read, but it was very romantic, and I found I enjoyed it more because of it. A+.

Tuesday, August 26, 2008

"Sweet Talk," by Susan Mallery


The Chick: Claire Keyes, a world-renowned piano prodigy who returns to Seattle to help her fraternal twin Nicole and lend a hand at their famous Keyes bakery while Nicole recovers from gallbladder surgery.
The Rub: Her sisters (particularly Nicole) hate her guts for how her amazing musical talent broke up their family, and now even her amazing piano talent is pretty much moot thanks to increasing panic attacks when she tries to play.
Dream Casting: While reading this, I imagined Without a Trace's Poppy Montgomery.

The Dude:
Wyatt Knight (holy shit, I didn't realize how hilarious his name is until just now), Nicole's supportive, loving, and (soon-to-be-ex) brother-in-law, who wants to help Nicole through everything but also has a successful construction job and a deaf daughter to take up his time.
The Rub: All he knows about Claire is what Nicole's told him over the years, which has been nearly completely negative. Also nurses the heartbreak of his ex-wife leaving him three months after their daughter was born.
Dream Casting: Firefly's Nathan Fillion. Manly? Check. Rugged? Check. Hot? Double-check!

The Plot:


Claire: Hi Nicole! I flew in from New York! I can help!

Nicole: Really? Can you un-infect my gallbladder and make my husband an un-adulterer? I don't need any help from an egotistical, useless, manipulative, lazy...

All Nicole's Friends/Coworkers: ... narcissistic, selfish, pampered...

Wyatt: ... uncaring, ignorant, cold bitch like you!

Claire: *sniffle* But I brought muffins.

Nicole: Okay, you can stay. For a while.

Wyatt: Nicole says Claire is mean, and Nicole knows everything. And my heart was broken by a woman - surely all women are exactly the same!

Wyatt's Deaf Daughter: *signing* I need a babysitter/mom. Don't be a moron.

Claire, Deaf Daughter: *happy fun times*

Wyatt and Claire: *sexx0r*

Claire: I'm pregnant! Hurrah!

Wyatt: DAMMIT! All women are the same! How come all the women I fall in love with are capable of getting pregnant?

Nicole and Claire: *double-team sister glare*

Wyatt: Never mind. Marry me!

Romance Convention Checklist:
1 No-Good Cheating Husband

1 Relationship-Aiding Child

1 Deflowering (sans birth control, nice)

1 Use of Designer Shoe as a Weapon

2 Surgeries

1 Coming-Of-Age

The Word:
Man, and I thought my sisters and I didn't get along. Meet the Keyes sisters - fraternal twins Nicole and Claire, and younger sister Jesse. At the age of three, Claire displayed a miraculous talent with the piano, and her life changed. By the time she was six, she was taken away by her grandmother to develop her talent and start touring. While she amassed fame and fortune, she lived a rigidly scheduled, limited, and lonely life. Her demanding manager controls nearly every aspect of her life, she's grown up with no idea how to cook, clean, or drive, she barely remembers which hotel she stays in anymore, and to top it all off the stress of her clockwork existence is giving her panic attacks which prevent her from playing. She misses her home and her sisters, and longs for a life with family and warmth.

However, her sister Nicole sees things differently. Left behind to practically raise their younger sister Jesse and take over the household chores and the bakery after their mother left to tour with Claire, Nicole lived a life of sacrifice and hard work. Nicole looks at Claire's life and sees it as one of wealth, excitement, and ease, and bitterly resents how she got left behind to deal with the dirty work. She blames Claire for the hard life she's led and has convinced herself (and others) that Claire is a worthless, pampered, and egotistical princess-bitch.

Now, when Claire receives a phone call from Jesse telling her to come home, she's elated. Jesse informs her, rather vaguely, that Nicole is about to have invasive surgery and will need someone to help around the house and with the bakery while she recovers. Normally Jesse would, but things are "complicated." Glowing with happiness at the opportunity to reunite with her family, Claire practically floats over to Seattle, only to run into a rather nasty surprise.

Not only has Nicole not requested Claire come home, but Claire is just the rotten, mouldy cherry on top of the shit-sundae that has been Nicole's life recently. On top of the painful surgery, Nicole recently caught Jesse, naked, in bed with her husband Drew. After throwing out one backstabbing sibling, the last thing Nicole needs is another one to show up in her place.

While incredibly hurt, Claire also grows a spine. Instead of slinking back to New York with her tail between her legs, she refuses to waste what just might be her last chance to reconnect with her family and she stays put. Her efforts are hampered by the fact that Nicole, having grown up in the neighbourhood and with the bakery, has predisposed almost everyone she knows into believing Claire is a manipulative, thoughtless, and entitled woman who abandoned her family to be famous.

One of those predisposed people in Wyatt Knight - Nicole's best friend, confidante, and stepbrother of Nicole's soon-to-be-ex-husband. He's attracted to Claire nearly on sight and is appalled at his body's reaction. He loves Nicole and trusts her implicitly, albeit only in a brotherly way, and as Nicole has spent years painting a completely unflattering portrait of Claire, he has no reason to disbelieve it and feels guilty for lusting after someone he holds responsible for Nicole's hard life. If he had his way, Nicole wouldn't need Claire's help at all, but he also has a business and a deaf daughter to take care of, so he can't tend to Nicole the way she needs to be.

This novel would not have worked at all with lesser characterization. Claire, as the main character, holds the story together and keeps it working. While ignorant of many things thanks to her hyperfocused prodigy lifestyle, Claire is a kind-hearted, determined, and sweet individual. Even though she barely knows how to open the trunk of her car, she admits what she doesn't know and then learns how to do it, which keeps her from looking like a bubble-headed ditz. Claire doesn't win people over by being particularly brilliant or clever - she wins people over by continuing to be cheerful and sunny even after the nasty things people say to her.

Nicole is a harder character to like, but it's integral to the novel's plot that we eventually do. The first half of the novel is a little frustrating as Nicole either blames Claire for things that aren't really Claire's fault, or acts on envious (and often ignorant and inaccurate) assumptions of Claire's supposedly fabulous life. It's especially difficult as the novel is told mostly from Claire's point of view (and only rarely from Nicole's), so the audience has a full view of the kind, loving, and determined nature of Claire but only the barest of glimpses into why Nicole insists on insulting her. However, the second half of the novel, as Nicole begins to thaw, she's revealed as a woman who finds it easier to be angry and believe the worst than to trust someone and only be disappointed.

Third sister Jesse is a little waffley - she spends most of her "screentime" crying, begging forgiveness, losing her temper at not being immediately forgiving, and denying sleeping with Nicole's husband while at the same time refusing to explain what actually happened. It's obvious that the truth behind Jesse and Drew is being saved for her own book (Sweet Trouble), but it doesn't make her character any more understandable in this one.

You may find it odd that I've discussed the heroine and her sister more than I have the hero. Well, this is an interesting novel in that the romance doesn't exactly claim centre stage as much as I thought it would. The way I read the novel, most of the story deals with how Claire and Nicole overcome their differences and how Claire becomes a more well-rounded human being than with how Claire and Wyatt get it on. I also felt the relationship between Claire and Nicole to be better written and developed than Claire and Wyatt's relationship.

The biggest reason Wyatt doesn't want to get involved with Claire is because of the picture Nicole's painted of her. As Claire's actual behavior erodes away opinions built on hearsay, most of the obstacles Claire and Wyatt face are Claire's social inexperience and Wyatt's previous experience with heartbreak. Wyatt possesses a mild example of the "all women are alike" cliche - after being betrayed by the mother of his child, he's pursued by the haunting (and irrational) suspicion that every woman he meets will eventually do the same. Claire and Wyatt's relationship is a little uneven, and if it had taken up more room in the novel I probably wouldn't have liked it nearly as much. As it was, it played an entertaining second-fiddle. Claire finding love is merely one part of how Claire comes out of her shell and becomes a person and a sister, rather than just a prodigy. Sweet Talk was an incredibly fun read, and I look forward to reading the sequels, Sweet Spot (which deals with Nicole) and Sweet Trouble (Jesse's side of the story). B+

Wednesday, August 06, 2008

A So Bad It's Good Movie Review: "S.S. Doomtrooper," a.k.a. "Harry Van Gorkum Is An Indestructible Badass "


Yes, I know, I've done so many romance novel reviews that it's been forever since I've done a movie review. But I had to do this one - it was terrible. Terribly hilarious-awesome, I mean. Is it bad? Oh yes, it's bad. But let me describe it for you beyond the shallow labels of "terrible dialogue," "illogical plot," and "ridiculous production values."

It's World War II, and Nazi Lieutenant Reinhardt (Kirk B R Woller) arrives at a bizarre, possibly Mayan Temple-ish fortress inexplicably situated in the middle of France. He's come to inspect the laboratory of Eeeeevil Nazi Mad Scientist Professor Ullman (Ben Cross - who looks like Christopher Lloyd and Willem Dafoe had one crazy-ass baby), who has been working on an experiment to defeat the Allies.

Professor Ullman, having received his Ph.D in Eeeeevil Nazi Mad Science, knows intimately the two driving forces behind the science responsible for super villains and Frankensteins the world over: Radiation and Lightning. Boring, real-world science would tell you that these things, when applied to the human body, would give it nothing more than a painful slow death (cancer) or a painful quick death (electrocution), but Eeeevil Nazi Mad Science knows better. Ullman's combined the power of both electricity and split atoms in a contraption that looks like an Easy Bake Oven if designed for boys (it even has the dim light bulb on the inside). When tried out on one of Reinhardt's men, it swells him up like a piece of purple, glowing popcorn and turns him into a poorly-animated monster with disproportionately enormous arms. Look out, Allies!

Meanwhile, the Allies (comprised of two generals - one with a Passable British Accent and one with a Terrible British Accent), catching wind of the Nazis' dastardly plans, have called in crackerjack American soldier Captain Malloy (Corin Nemec, of Stargate SG-1) to assemble an equally crackerjack team to find this secret lab and destroy it. They inform Malloy that both sides of the war have been experimenting with atomic radiation, and while the Americans have been working on a bomb capable of destroying an entire city (Malloy makes a gallant effort to not to look at the camera and keep a straight face as he says, "A bomb destroy a city? I don't believe it!"), the Nazis have built a lab and are creating Big Nazi Monsters.

Normally, the Allies would just send planes to bomb the shit out of the place, but the Nazis, along with their Eeeevil Nazi Mad Science program, also have an Eeevil Nazi Advanced Radar System that spots and destroys planes with perfect accuracy. When Malloy shows up with his men, Terrible British Accent exclaims, with the obliviousness of Captain Obvious, "This is the biggest team of misfits I've ever seen!" Well, no shit! Can you think of any other type of team capable of foiling the plans of Eeeevil Nazi Mad Scientists?

The team is as follows:

Sergeant Digger (Harry Van Gorkum, who has previous experience in dealing with poorly-animated monsters as Lord Ossric from Dragonheart II): Friends with Malloy (they fought together in North Africa), he volunteers for the job.
Expertise: Explosives. Is also invincible. And AWESOME.
Best Quote: "There is no problem in the world that can't be solved with the proper application of explosives."
Fatal Flaw: Partially deaf thanks to blowing things up too much.
Dies By: Blowing himself up to destroy the Eeeevil Nazi Advanced Radar System, after being shot in the back by a --- OHSHITWAIT HE'S ALIVE! HELL YEAH!

Corporal Johnson (Jonas Talkington): Another person who volunteers for the job, inexplicably.
Expertise: Volunteering for stupid things, and dying first.
Best Quote/Final Words: "We could go up! Yeah, c'mon!"
Fatal Flaw: Sheer stupidity.
Dies By: Being shot by the Big Nazi Monster while trying to climb a ladder to safety.

Corporal Porter (Raicho Vasilev): an army thug convicted for "getting into fights" who is recruited in exchange for a pardon.
Expertise: Hitting people. No, seriously.
Best Quote: "I like to fight ... with my hands. I like to hit people, sir."
Fatal Flaw: Inability to identify situations in which hitting people is not a solution.
Dies By: Being maimed by the Big Nazi Monster after punching it in the face.

Private Andy Papadakis, a.k.a. "Pop-Up" (Asen Blatechki): a convicted felon recruited for the mission in return for a pardon. His exact crime is unknown, although presumably it's for killing people.
Expertise: Sharpshooting - "120 confirmed kills" (he says this with such an uncomfortably smarmy face I'm guessing not all the kills were for the war).
Best Quote: Pop-Up: "You ain't deserting, quitting, or doing anything else other than finishing this mission." Lewis: "Oh yeah, how're you gonna stop me?" Pop-Up: "I'll shoot you in your face."
Fatal Flaw: Uh - he smokes cigarettes?
Dies By: Being shot in the eye (through his gun's viewfinder!) by a Nazi sniper after Rhys-Jones fails to cover him.

Private Rhys-Jones, a.k.a. Jones (John Newton, who resembles Adrian Pasdar's gay cousin): a dandy aristocrat ("37th in line for the throne of England!") who was arrested for impersonating a high-ranking British general. Fights in return for a pardon.
Expertise: Languages and impersonation.
Best Quote/Final Words: "I will accept your surrender, as long as the person responsible for shooting me in the bum comes forward and apologizes."
Fatal Flaw: Cowardice.
Dies By: Firing squad of angry Germans after he shoots their base with a bazooka as a distraction to allow Malloy and the others to infiltrate it.

Private Parker Lewis (James Pomichter): A young recruit busted for stealing Jeeps, who joined in the hope that he'll receive a pardon so he can return and work in his father's bagel shop. Expertise: Can hot-wire/drive any vehicle
Best Quote: "Stupid Joimans!"
Fatal Flaw: Atrocious Jersey accent.
Dies By: Electrocution while hot-wiring the Easy Bake Oven of Doom - head promptly explodes.

Anyway, Malloy's team gets the go-ahead because, really, the Allies have no other option. The team boards a plane, but are forced to bail out when Nazis shoot down their transport. Digger, Lewis, Malloy, Porter and Jones all end up together, but Pop-Up and Johnson land elsewhere. Aware of the American presence, Nazi Lieutenant Reinhardt agrees to let Ullman try out their new Big Nazi Monster to see if it plays well with others.

Pop-Up and Johnson run into the Big Nazi Monster first. Johnson, being a moron, dashes out of hiding for no reason and crosses the monster's path to get to a ladder and is promptly shot. Yes, shot. The Nazis spent all this time and money turning a soldier into a behemoth capable of tearing people apart with its bare hands and they give it a gun. And a helmet that covers its face - either it was too expensive to animate facial expressions or it has some sort of Phantom of the Opera thing going for it, either way, it looks like a Boss from a Playstation One first-person shooter.

Pop-Up is saved when the others arrive and distract the Big Nazi Monster with grenades so that they can make a quick getaway. Meanwhile, Reinhardt gives Ullman tentative congratulations on his creation of a successful killing machine and sends a contingent of men to recover it. Ullman, sotto voce to his evil female assistant (whom we know is evil because she is blond and wears bright red lipstick, the whore), rather dourly reveals that they'll most likely end up killed by the monster as well. He didn't create the monster to please the lieutenant, he says, he created a monster to win the war. Well, he's a crazy scientist, what did you expect?

The Nazis overtake the Big Nazi Monster and attempt to relate to it with a rousing chorus of "Sieg Heil!" (the Nazi kumbaya, doncha know). Big Nazi Monster does not like rousing choruses, and proceeds to fry their leader with electricity that comes out of its hands and then shoots the rest with its redundant gun. One Nazi escapes.

While all this has been going on, our intrepid heroes have discovered the hideout of the French resistance, led by Mariette (Marianne Filali) who is friendly-French and Jean-Michele (Julian Bailey) who is nasty-French. Mariette offers helpful advice and informs our heroes of the sinister goings-on at the Eeeevil Secret Nazi Lab and the Big Nazi Monster's apparent invulnerability to harm. Jean-Michele makes sarcastic comments and makes overly-loud quips like "Stupide Americains!" Lewis suddenly remembers he's from "Joisey" and calls Jean-Michele a "joik" with a "croissant up his ass." That's some classy writing right there.

No one knows how to kill the monster, and everyone's running out of ammo, and the lab itself is incredibly tightly guarded, so Mariette suggests that the Americans take over a nearby ammunition depot - either to steal ammo and guns and explosives from it, or use the depot itself as a giant bomb to destroy the Big Nazi Monster.

The scintillating dialogue is interrupted by the Big Nazi Monster, who drops in on the secret hide-out completely unannounced. Everyone in the rooms shoots at it, to no avail, but brave meat-head Corporal Porter buys time for our heroes to escape by punching the Big Nazi Monster in the face. Sure, bullets and grenades don't work, but surely his manly meaty fists will! Sadly, neither him nor his fists fare well by the Big Nazi Monster, but the rest of the men are able to flee, along with two surviving members of the French resistance (read: the only ones to get any lines) - Mariette and Jean-Michele.

Meanwhile, Nazi Reinhardt is none too pleased about the Big Nazi Monster killing German soldiers. In an oddly intelligent move for a Bad Movie Authority Figure, he immediately recognizes that an indiscriminate killer does not make a useful weapon and orders the experiment's termination. Ullman responds by shooting him and his bodyguard point-blank in the chest. Oh well, that's what you get for making responsible decisions in a Bad Science Fiction movie!

The heroes decide the best way to get into the depot is to steal a tank. Easy enough - while Pop-Up readies his rifle on a nearby empty building, the rest of our band sneaks behind a slow-moving tank, trying to look inconspicuous. Despite Jones, who suddenly goes squirrelly and starts disobeying simple orders for no reason, they kill the tank drivers and Lewis gets in the driver's seat just in time for the Big Nazi Monster to show up. Distracting the monster with a tank-bullet straight in the gut, our heroes flee the scene yet again.

Arriving at the weapons depot, Jones (fresh from a stiff-upper-lip talking-to by Digger on looking out for one's teammates), impersonates a German to gain entry. When his creativity runs out and the Nazis get suspicious, Lewis leaps out of the tank and proceeds to slaughter them all with a machine gun. He misses two (somehow), but before our heroes get aerated loyal sniper Pop-Up takes them out with a merry wink at the camera. Digger shows up on scene with a drawn gun a full minute after the gunfire ends, with a slightly guilty look, to remind the audience that yes, he is Deaf, and has merely used his Sheer Awesomeness to comprehend the whispered commands and quiet noises directed at him up until now.

The plan is set - lure the Big Nazi Monster into the weapons depot, sneak out the back, and the blow the whole place to kingdom come. Waiting for the Big Nazi Monster, Jean-Michele and Lewis share an actual moment of camaraderie when Lewis reveals his post-war plan of making bagels with his dad. Jean-Michele looks surprised, and reveals that he, too, is a baker. United in their love of dough and yeast, their moment of boundary-crossing friendship is broken by the appearance of the Big Nazi Monster, who has been led to the depot by Malloy, Mariette, and a flamethrower.

Big Nazi Monster chases our heroes through the front door of the depot, but gets suspicious and turns back. However, our heroes (Jean-Michele in particular) remember in the nick of time to block the front door. Miffed, Big Nazi Monster uses his inexplicable electrical powers to zap the door from the inside - which doesn't open the door, but does French-fry Jean-Michele into a comical animated skeleton. Digger comforts Mariette by giving her the switch to blow up the depot. An enormous explosion ensues, complete with swirling coloured sparks that look suspiciously like fireworks.

Now that the depot (and, presumably, the Big Nazi Monster) are destroyed, our heroes' next task is to infiltrate the Eeeeevil Nazi Mad Science Lab to prevent more monsters from being created (unbeknownst to them, the Eeeevil Nazi Mad Scientist is already readying three more soldiers for the Easy Bake Oven of Doom). Crawling through a snowy forest, a German pop song wafts through the air, indicating that there are (dancing?) Nazis nearby. Pop-Up is sent out to eliminate the guard, and Jones is tasked with covering him.

It is now that Jones' stiff upper lip goes flaccid and he panics, trembling and sitting on his ass as his comrades look on in disgust and Pop-Up proceeds unprotected. Pop-Up, one of the more rational characters in the film, is rewarded for saving Jones' life by being killed by Jones' cowardice. To be fair, however, he's murdered by a truly excellent sniper - milliseconds away from firing his weapon, he's shot cleanly through the eye through the viewfinder of his own gun.

Stiff upper lip totally limp now, Jones makes a run for it, only to be shot about two seconds later and collapse. Only now realizing that Jones is a liability, his former comrades (at the behest of Malloy and Digger, whose stiff upper lip is still perfectly intact) leave his body under a tree with a vague promise to come back for him. A few minutes later, Jones comes to his senses, and pulls out his family crest which miraculously caught the bullet that should have killed him, and rolls his eyes as if even he is exasperated with the turn the plot has taken.

With Jones' acting expertise compromised by the lead projectile which seemingly punctured his chest, Malloy and Lewis are forced to try out their best German accents to try and fool the Eeeevil Nazi Mad Science lab guards. Dressed in dead soldiers' uniforms, driving a stolen jeep and armed with confiscated French booze, the best they can manage is "jah" as they try to distract the Nazis with a particularly fruity vintage. Lewis' "Joiman" accent is even worse than his "Joisey" accent.

However, it is at this point that Jones is able to redeem himself. Left behind by the others, he reaches the lab later and, pulling a bazooka seemingly out of his ass, fires on the lab, distracting the soldiers from the two Germans who seemingly know no German words that aren't "yes," "very good" and "wine." The Germans pour out of the lab like ants from an anthill and Jones is not only soon surrounded, but quickly finished off with a firing squad. Normal Bad Movie Henchman protocol is to take suspicious, smartass suspects with hidden talents prisoner instead of killing them outright, but apparently these must be the men of the Late Lieutenant, similarly trained in uncharacteristic common sense.

Now freed from undue scrutiny, Lewis and Malloy and Mariette (hidden with Digger in the back of the stolen jeep until now) stand watch, as Digger sets up the bomb underneath the Eeevil Nazi Advanced Radar System. However, Digger is spotted, and not hearing Malloy's warning thanks to his faulty hearing, is shot in the back. Wounded, he kills his attacker, but the gunshots attract the rest of the Nazi troops.

Malloy, Mariette, and Lewis, very much outnumbered, prepare to flee into the lab itself, entreating Digger to join them. But Digger is a badass, and his stiff upper lip bows to no man. In the name of Queen and Country, Digger valiantly throws the switch to the bomb - blowing up the Eeevil Nazi Advanced Radar System, while he is still underneath it. It looks like the end of him.

Our rapidly-dwindling band of heroes reach the lab and are almost immediately recognized and apprehended by the Blond Nazi Whore. They are escorted to the Easy Bake Oven of Doom, where they are treated to a lecture by Professor Ullman on the genius of his work, etc. etc. A demonstration of the Easy Bake Oven of Doom was also on the schedule but Malloy steals a gun and shoots the soldier/intended labrat dead before the Oven can work. Ullman's ointment attracts further flies when the Big Nazi Monster, still alive and perfectly healthy, busts into the lab and fries the Blond Nazi Whore, and events start happening faster. Lewis is finally shot, but in his final moments managed to hotwire the Easy Bake Oven of Doom, which hilariously causes Lewis' head to explode. Malloy shoots Ullman, and then fries the Big Nazi Monster with the hotwired Easy Bake Oven of Doom. As the Big Nazi Monster begins to dissolve into glowing monster chunks, Malloy and Mariette exit stage right.

Meanwhile, the Eeevil Nazi Advanced Radar System is a smoking, twisted wreckage, but underneath - LO AND BEHOLD! Digger is not only alive, but completely unharmed! With a merry wink, he dons his battered red beret, extricates himself from the debris, shoots some Nazis, and escapes with Malloy and Mariette. Through Sheer Awesomeness, his gunshot wound has vanished - there isn't even a hole in the back of his uniform. Malloy and Mariette are both suitably overjoyed at discovering their immortal badass companion is still immortal, and still badass. As our heroes flee into the woods, the fortress dissolves in a giant sphere of radioactive light that looks like an updated version of the lensflare option in Photoshop.

Malloy reports in to his superiors - not only were the Big Nazi Monster and the Easy Bake Oven of Doom and the Eeeevil Mad Nazi Science Lab and Eeevil Nazi Advanced Radar System destroyed, but none of the convicts he hired survived so those pesky pardons are no longer necessary. All is right with the world. Malloy, Mariette, and Immoral Awesome God Digger promptly hot-wire the general's jeep (RIP Lewis) and ride off into the sunset, thus concluding a truly awesomely bad movie.

Sunday, August 03, 2008

Rejected!

By Weird Tales magazine for "House Hunting." My manuscript got lost in the aether the last time I e-mailed but they responded to my re-submission fairly promptly. It got the dreaded "not for me" but the editor also said it was "well-written" so that's some consolation, I guess.

Saturday, July 26, 2008

"Lord Sin," by Kalen Hughes


The Chick: Georgianna "George" Exley, the wealthy, beautiful, and fiery widow who eats scandal for breakfast. She shoots, gambles, and parties hardy with a cadre of devoted male friends.
The Rub: Keeps a house chock-full of beefcake, and maintains an iron-clad rule that no man sleeps with her for more than one night. Also, while she has a habit of doing and saying whatever she wants, most of the rumours about her are untrue.

The Dude:
Ivo Dauntry, lately returned from six years' exile on the continent, has come back to England to reunite with his family and take up the title of Earl after his cousin's death.
The Rub: Ivo got banished to continent after he killed an aristocrat in a duel over George's honour, only to return and find out she's hardly the meek, modest woman he was expecting.

The Plot:
Ivo: Grr! I can't believe I wasted six years defending the honour of a woman who keeps lovers only for one night! What a strumpet! How DARE she not conform to the feminine ideal! How DARE she not adhere to my standards even though she didn't even know me when I killed a man in her name! Ha! I know - I'll marry her! That'll show her!

George: Hey, baby. How's it been? Wanna spend the night?

Ivo: I'LL TAKE SIX!

George: How about NO.

Ivo: How about I kiss you very hard until you say YES?

George: .... alright.

George's Sexy Man Friends: *not amused*

Alloted Nights #1, 2, 3: George: YES YES YES YES YES YES YES YES....

Evil Frenchman: Whore! You killed mon pere! *strangles wrong woman* *botches assassination attempt* *shoots at George and misses* Merde!

George's Sexy Man Friends: OHNOEZ! Hurry and put our feisty, willful woman under lock and key so that she will be protected and safe!

George: No, really, you don't need to...

Evil Frenchman: Die, whore, die!

Ivo: Oh no you don't! *draws sword*

Evil Frenchman: *draws pistol*

Ivo: Shit.

George: *shoots Frenchman*

Ivo: .....

George: ... My hero! *marries*

Romance Convention Checklist

1 Best Friend With Too Many Children

1 Male Harem

1 Dirty Old Man

1 Marriage Proposal (refused)

1 Matchmaking Relative

1 Evil Frenchman

1 Sexual Act in an Inappropriately Public Place

1 Case of Bringing a Sword to a Gunfight

The Word:
Ivo Dauntry's been dreaming of the same woman for the last six years. Six years ago, Ivo caught a drunken aristocrat pawing a married woman and killed him in a duel, earning him banishment and separation from his family. Although he missed his home and family, Ivo's spent the last six years convincing himself that, ultimately, he did the right thing in protecting the honour of a modest English wife.

So imagine his unpleasant surprise when he shows up in England to catch that same woman - Georgianna Exley, or "George" to her adoring and predominantly male fanbase - hanging out at a boxing match, flirting outrageously with a man she's not married to, and maintaining a house that's part gambling hall, part boy's club, and part Playboy Mansion.

Ivo flares with resentment over the six years apparently wasted defending the honour of a woman who never appeared to have any in the first place. He's also offended that his sacrifice meant so little to her that she never bothered to live a decent, proper, unscandalous life for his sake - an irrational offense to be sure, seeing as Ivo and George barely knew each other before the duel was fought, but one Ivo feels all the same. However, his attitude changes when he finds out George is a widow - why, then she's fair game, and Ivo is determined to seduce her into a more proper, permanent arrangement.

But Ivo's not completely right about George. She's not one of those common rakish characters who are outrageous and scandalous for the express purpose of causing outrage and scandal. Her main crime is doing as she pleases, when and where she chooses to do it. She shares a warm relationship with her in-laws, babysits her friend's kids, and tends a swarm of men who are all happy with her the way she is. She doesn't defy ... she simply ignores. And while the scandal sheets are far too eager to label her a slut, she maintains her own special rule: she never keeps a lover for longer than one night.

When she and Ivo reunite, she's instantly attracted to him, but offended by his insistence that she owes him big-time for the outcome of the duel. The duel that sent Ivo out of the country also nearly ruined her (and weakened her relationship with her husband), so she's hardly pleased when Ivo demands compensation. His wheedling (among other things) eventually persuades her to upgrade him from one night of pleasure to six (for the six years in exile), but after that, that's it. She's done. Unbeknownst to her, Ivo's already planning how to make those six nights so good she'll extend the deadline indefinitely. Through marriage, ideally.

This book was a bit of a mix for me. I'd read quite a bit of reviews on the book (along with its sequel, Lord Scandal), and all of them emphasized how outrageous (truly, truly, truly outrageous) George is, but I didn't feel the novel delivered. Maybe I'm influenced by contemporary morals, but while George did bend rules and social norms, she hardly seemed the most scandalous person in the book. I guess by reading the reviews, I was expecting one of those loud and obnoxious (not to mention anachronistic) feminist characters who thwarts convention for the purpose of throwing it in the chauvinistic, patriarchal social establishment's face. Shows up at parties in pants, dallies with married men, hosts weekly orgies, intervenes in the upbringing of girls to teach them about sheepgut condoms and education etc. etc.

However, this wasn't a drawback for the novel. Far from it - George was rather lovable. I found it interesting she received such a nasty reputation just from doing what she wants in her own house and on the estates of her friends. She doesn't set out to hurt people, she doesn't interfere in other people's affairs, and she never flirts with men who are already married or engaged. Best of all is that she doesn't flaunt herself in society in order to incite social change or some such nonsense. She keeps herself surrounded by friends and family (including her in-laws!) who genuinely enjoy her company and respect her person and she's satisfied with that.

Actually, it was Ivo that I didn't like. I found his whole mantra of "She's mine, no one else's, she's mine, she just doesn't know it yet" incredibly annoying. I mean, I like that there's a gender reversal of the "rake and prude" plot, but I found Ivo's whole "mindlessly pleasure George until she does everything I ask" strategy pretty damn offensive. He spends most of the novel standing around looking pissed while George does her thang with her sexy man friends, which made me wonder why he even wanted to marry her. Their first reactions to each other when one of them walks in the room are always lust first, not love. Not "oh wow, he's here, my heart's so full" but more like "ouch! my nipples/penis!"

I think if he really loved who she was he'd stop thinking of her as belonging to him, and more of him belonging to her. And I think that was my main problem with the novel, was that I couldn't buy George's feelings for him. I get that he's crazy attractive and a god in the sack, but, well, that's not love. George is a free-willed character who's had sex before, probably good sex before, but almost all of her reactions to Ivo's presence are physical. She's horny, we get it, but what parts of him does she like that aren't ten inches long and engorged with blood?

I read the book and saw a man affronted with a woman's freedom and determined to curb it to his will, who succeeds. Fantastic. It wasn't George who needed to be tamed, in my opinion, but Ivo. C+.

Tuesday, July 22, 2008

"Wicked Ways of a Duke," by Laura Lee Guhrke


The Chick: Prudence Bosworth, an overworked and underpaid seamstress who unexpectedly inherits her long-lost father's gargantuan department store fortune, under the stipulation that she marry within the year.
The Rub: She's the illegitimate child of a poor baronet's daughter and a man who ran away to America (and struck it big). Her grasping and neglectful relations, who never cared much about her when she was still the inconvenient bastard, swoop down out of the blue once she's made her millions to take over the responsibility of introducing her to society - and by society, they mean Prudence's dull cousin Robert.

The Dude:
Rhys de Winter, Duke of St. Cyres, an indolent, pampered aristocrat just returned from a scandalous tour of the continent to confront a mountain of debt and no money to pay it off with.
The Rub: Where to start? His father died a coke addict, his mother was a slut, his little brother hanged himself when he was twelve, and his Uncle Evelyn liked to played a mean game of Animal Grab...

The Plot:
Prudence: Life is so hard, I wish I were rich!

Lawyer: Congratulations! Your father is dead! You're a millionairess! As long as you find a husband within the year!

Prudence: Holy CRAP! Uh...I wish I had a sexy suitor?

Rhys: Do I smell money - er, I mean, beauty? Hey, baby.

Prudence: This is awesome - how many more wishes do I get?

Prudence's Grasping, Neglectful Relations: WE DO NOT APPROVE! The Duke of St. Cyres is broke! He's only after your money! He's a cad! And worst of all, he's not your cousin Robert!

Prudence: I don't care! I love him! I just wish I could know more about him.

Friend of Rhys' Who Shows Up At the Worst of Times: Like how he knew about your money from the start?

Prudence: .... Dammit! *breaks engagement*

Rhys: Prudence! I'm troubled! I'm a victim of childhood sexual abuse! And I love you!

Prudence: Damn that sexy troubled past! Fine, we'll marry, but against the stipulations of the will so we won't get any money!

Rhys: Fine with me. We'll survive on our love...

Prudence: PSYCH! We're still rich!

Rhys: ... love spread in caviar, dipped in gold and stuffed with sugared OWL BABIES! HOT DAMN!
Romance Convention Checklist:

1 Righteously Redeemed Rake

1 Heroine with Weight Issues

2 Very Bad Parents

2 Uncles with Unconventional Sexual Proclivities

1 Love Train

4 Gold-digging Relatives

2 Cameo Appearances from Previous Gurhke Characters (Emma and Harry! Hurrah!)

2 Trips to the Fishin' Hole (for fishing, you pervs!)

1 Romance Involving Secondary Characters (servants need love too)
The Word:
This is the second book in Gurhke's Girl-Bachelor series (which began with And Then He Kissed Her, and I think continues with The Secret Desires of a Gentleman), which seem to involve the tenants of a respectable ladies' lodging house run by the loyal Mrs. Morris.

Prudence is a lowly seamstress, earning her keep as best she can, and aided by a tiny allowance from relatives she hasn't seen for eleven years. She's right in the middle of getting bitched out by a nasty heiress while fixing her dress when rakish Duke Rhys de Winters shows up and plays the gallant card. Later that evening, she also witnesses him rescue a maid from being raped by a boorish peer, and leaves convinced of his heroism but certain no duke would deign to notice a seamstress.

However, unbeknownst to her, Rhys happily beds that same grateful and willing servant without a second thought. Rhys has spent that last few years using up his inheritance partying hardy in Europe, and has come home to find that his deceased Uncle Evelyn used up the rest. He's dirt poor, and while he can get by by shamelessly mooching off of his incredibly tolerant friends, he realizes that sooner or later he's going to have to marry an heiress or lose everything.

Prudence, meanwhile, gets smacked on the head with a Plot Device: her father, i.e. the man who abandoned her pregnant mother without marrying her, has died an obscenely wealthy man in America, and having had no other children, has left all of his fortune to her, under the stipulation that she marry within the year. Prudence thinks it's a dream come true -- for about five minutes. And then her Aunt and Uncle, who couldn't have cared less about her when she was just the poor family illegitimate, arrive in town with the aim of introducing her to society, all the "right people," and all the while keeping Prudence close to her limp noodle cousin Robert.

Rhys, shopping for heiresses at the opera, spots Prudence in the audience and is informed by a friend of his of Prudence's sudden good fortune. Dimly remembering their first encounter, he introduces himself and pretends ignorance of her changed situation. Prudence, of course, has already developed a high opinion of him and is delighted by his attentions, even more so because he doesn't appear to know about her money. Ironically, her grasping relations (entirely unaware of their own gold-digging tendencies) know exactly what St. Cyres is after.

So begins their courtship - with Rhys manipulating, spying, lying, and even blackmailing to maintain the charade until at last Rhys and Prudence are engaged. It is here, of course, that the story gets interesting. Prudence is head over heels for Rhys from the start, but it is Rhys who begins to change as he begins to fall in love with her. However, through his admittedly underhanded means of obtaining her affection, he's dug a mighty big hole for himself, and when the hammer comes down, it comes down hard.

This book impressed me in many ways, and in many ways also disappointed. First, the good parts: Rhys is finally a rake who does rakish things, and not just a man who claims to be a rake but really shies away from the morally-objectionable things that would lose him the reader's affection (like the ever-present "rake who'll never plunder an innocent" cliche). He lies, outright lies, at the very start for the sole purpose of gaining Prudence's interest because she is rich. He sees her as a romantic, day-dream addled nouveau riche and figures it'll be like taking candy from a baby. He follows that up by having his servant spy on her so he can "conveniently" show up at the same time, blackmailing her uncle into acquiescing to his marriage proposal, and snubbing Prudence at a ball for another woman in order to manipulate her emotions even further. Rhys is no saint at the beginning of the book, and that's a part of both the book's strengths and flaws.

Strength-wise, it adds significantly to the narrative tension. Rhys performs all of his dastardly deeds at first thinking only of himself, but just because he genuinely comes to love Prudence doesn't mean that all of his previous actions suddenly go away, becoming an interesting ticking time-bomb of dramatic irony that kept me reading. I'm not totally spoiling anything by saying that eventually, yes, Prudence finds out that he knew about her money all along - and, inconveniently enough, finds out right about the time that Rhys is on the cusp of professing his all-too-real adoration.

Of course, the flaws that this led to were the fact that I thought the solution at the end of the novel was far too easy. I've heard reviewers complain that Prudence seemed really way too naive to never suspect Rhys of knowing about her money, but I found I could deal with it. Her previous encounter with him, her first impression, had shaped the way she saw him and all of his actions seemed to corroborate it. However, the eventual revelation that he had lied should, according to her character, have pretty much completely destroyed her.

Before Rhys arrived, Prudence was convinced she was too old, too fat, too plain, but Rhys managed to convince her that she was beautiful, interesting, witty, and worthy of being loved. Thanks to that, Rhys' deception not only made annihilated her positive image of him, it leveled her positive image of herself - because Rhys had been the one to convince her she was special, but with his true (initial) motivations revealed, it cast shadows and aspersions on every happy moment they spent together.

Because of this, the way Rhys won her back (making a public announcement in the newspaper that he will marry her one day after the will deadline - thus marrying her after she's lost the money) seemed a bit simplistic to me - he may prove his intentions now, but could one newspaper interview really reverse all the distrust and doubt? The very ending (in the epilogue) does assuage this a bit with a clever move on Prudence's part but it doesn't eliminate the problem completely.

However, ultimately, I found the romance to be a sound one. As in And Then He Kissed Her, while both characters developed throughout the novel, one character had significantly more ground to cover than the other. In Kissed, it was Emma and her self-discovery. In Wicked, it's Rhys. Prudence had such a vaulted, heroic opinion of Rhys that he couldn't help but attempt to live up to it, and that was a pleasant plot element to read about. Prudence, in an unusual turn for a romance novel, declares her love for Rhys fairly early - and what the novel shows is Rhys' progression from dismissing this, to craving it, to believing it, and finally, to reciprocating it.B+.

My BLOG! It is BEAUTIFUL!

There are, apparently, a lot more than fifteen blogger templates.

They're just not on Blogger itself.

Thanks to the WONDERFUL help from the Comments section, I found out finding a cool customized template is frighteningly easy and completely free. Once again, my ignorance astounds me.

But don't mind me - look at my beautiful blog!

Tuesday, July 15, 2008

Help and Bribery

First, the help part.

I want to make my blog look pretty. I've changed the template a number of times, but as Blogger only has, like, sixteen templates, no matter what I do it manages to look dull.

Like a blogger blog, basically. Or at least a Beginner's Blogger Blog.

I dunno, I guess I want my blog to have a little more pizazz, since I'd like to use my blog as a way to interact with my readers once I become a published novelist (and to prevent myself from nose-diving into Negativity City [Author Population: A BAJILLION] I like to assume it will be fairly soon), and I want it to look pretty and polished and professional.

Do you any of you know how to set an image as a background? Or change my title into a banner? Or any of the other HTML tricks I have absolutely no knowledge of because I'm an artist whose most complicated use of my computer involves playing Bubble Town on Facebook while writing book reviews at the same time?

Second, the bribery part, and no, sorry, it's not for you. Any help would be appreciated, but the only reward would be my sincerest thanks and the knowledge you helped pretty-fy the (soon to be! yes! SOON!) best-selling author's blog.

No, the bribery is for me. I'm not above bribery. I'm so not above bribery it's hilarious. If someone said to me, "Hey, wanna get into my white, unmarked van with stolen plates in the dead of night while you're standing in a darkened alley with no witnesses?" and happened to say (before I had a chance to scream for help), "Oh, and we'll hit a bookstore later, my treat" - I'd go "HELL YEAH, SUCKA."

I want to finish Reading the Willow King. Like, really fast. I have a bunch of other ideas that, frankly, I'd much rather be working on but I can't drop this novel because I drop every novel and I'll never be able to finish the good novel I WANT to make if I don't finish the novel I kinda sorta want to make but not really anymore because I'm bored.

I'm at about 85 k words right now - but only about 65% through the story (which is relatively normal with first drafts), so I set a deadline: August 31st.

This August - which gives me about a month a half, which is crazy-ambitious for me. I probably won't make it, but if I do, I've promised myself that I'll get to go to Chapters (or the Wee Book Inn, if I'm really cheap) and choose five romance novels guilt-free. No book buying until then. I kinda cheated by buying some books last week, but well, it wasn't really cheating because it wasn't guilt-free. I'm full of guilt - and now with two more books.

BUT!!!! Guilt-free if I finish by August 31st! Wish me luck!

Thursday, July 03, 2008

"Welcome to Temptation," by Jennifer Crusie


The Chick: Sophie Dempsey, the goody-two-shoes sister to two rascally con artist siblings. Wants to make a plain, vanilla audition video for her brother's crazy ex-girlfriend and get the hell out of Dodge.
The Rub: Grew up on the wrong side of the tracks, and gave her virginity to a clean-cut Town Boy who ended up humiliating her. She's now convinced privileged town boys are all alike.

The Dude:
Phineas "Phin" T. Tucker, mayor of the small, deceptively simple town of Temptation. His father, grandfather, and great-grandfather (all named Phineas!) were all mayor before him, so that's a lot of legacy to live up to. On the plus side, it means they've never had to change political posters or the mayor name on the "Welcome" sign for more than sixty years.
The Rub: Single dad to a cute little girl whose gold-digging mama died under suspicious circumstances. Lives with his mother - who has control issues of her own.

The Plot:

Sophie: What are the rules are filming movies in Temptation?

Garvey, the Hypocritical Conservative Mayoral Candidate: NO PORN!

Phin: Hey, are you guys making porn?

Sophie: No - but you're pretty.

Phin and Sophie: *commitment free sex!*

Sophie: *inspired screenwriting!*

Clea, Sophie's Client: Hey, that would make great porn.

Leo, Clea's Old Producer: Porn? I can make porn!

Zane, Clea's Ex-Husband: NO PORN!

Zane: *dies*

Sophie: Crap. Guess he should have said "NO MURDER" instead.

Garvey: *steals porn tape and plays it on prime time cable TV*

Citizens of Temptation: *Phineas Lynch mob formed*

Phil: Oh, crap.

Sophie: No, wait, I made the porn!

Phil: That's hot. Marry me.


Romance Convention Checklist:

2 Very Bad Parents

1 Lacklustre Sexual Rival

1 Single Dad/Widower

1 Precocious Child

2 Precocious Adult Siblings

1 Game of Commando Pool

1 Muuuuuuuurder

2 Counts of Attempted Muuuuuuurder

1 Relationship-Aiding Pet

2 Romances Involving Secondary Characters

The Word:
I haven't had this much with a contemporary romance for a long time. As you can probably tell by my more recent reviews, I've been focusing more on historicals. I'd also been a little iffy about returning to Crusie because after reading the masterpiece that is Bet Me, I had the misfortune to read two books of hers that were either m'eh (Getting Rid of Bradley) or confounding (Anyone But You).

The Smart Bitches Trashy Books gals gave Welcome To Temptation a m'eh grade, but then again, they'd also given Anyone But You a Squeeeee! We Love This Book So Much grade, so really, I can't exactly use them as a reliable measuring stick against whether I'll like a Jennifer Crusie novel or not. In fact, while I love the Smart Bitches dearly, I disagree with a very great many of their reviews so maybe I should go for their books that they give C's to.

Welcome to Temptation has a lot of elements that I've come to identify as Jennifer Crusie Trademarks, namely:

1. A weird/ugly pet (usually a dog) has to show up somewhere. In this case, it's Lassie, a weird Corgi hybrid dog abandoned by its owner that Sophie the heroine adopts.

2. Unseemly amounts of ice cream (usually Dove Bars) will be eaten by the female characters. It's Dove Bars this time, which they seem to eat every day.

3. The hero/heroine will love one particular musician above all others and their songs will provide a continuous soundtrack throughout the novel. For instance, in Bet Me, it was Elvis Costello/Presley. In Temptation, it's Dusty Springfield. Who I just found out by looking at iTunes is a woman. I'm an idiot. I kept thinking Dusty Springfield sounded like some of folk singer a la Woody Guthrie.

4. One of the protagonists (although, ideally, both) will have terrrrrrible parents. Holy crap, did Jennifer Crusie have a bad childhood or something? Nearly all of her books that I've read have at least one protagonist whose parents are borderline monsters. In this case, Sophie's dad's a con man but entirely absent, but Phin's mom is an ice queen - although, to Crusie's credit, a very realistically motivated and three-dimensional ice queen.

5. One of the protagonists (usually the heroine) will be tailed by an ex with a bizarre and rare form of receptive aphasia that prevents them from comprehending sentences that involve the words "I want to break up with you," "I'm in love with someone else," "we're over," "I think we should see other people," and "I don't want to have children with you." In Temptation, it's Sophie's psychiatrist boyfriend Brandon, who you'd think as a psychiatrist would be able to identify the concept of denial.

Anyway, though, Welcome to Temptation was a wonderful Crusie example and not a tedious Crusie example. The vast cast of characters, the witty dialogue, the well-drawn setting, it all contributed to a contemporary romance that I genuinely loved and belongs now on my Keeper shelf.

Sophie and her sister Amy drive into the town of Temptation to do an audition video for Clea, a washed-up actress and former porn star who briefly dated their brother Davy before dumping him for a successful (if boorish) TV anchor. Normally Sophie and Amy just do wedding videos, but Amy's looking to branch out and she convinces Sophie to do an improvised film with Clea to jump-start her career.

Trouble follows just around the corner and they end up in a mild car accident with the town's ultra-conservative and perpetually losing mayoral candidate Stephen Garvey, who takes an immediate dislike to them. His hair-trigger suspicions are raised when they admit to filming a video in Temptation, and his natural conservative prejudice against "loose women" as well as Clea's former career choices convinces him they are planning on making a porn movie in Temptation.

He is eager to bring up the triple-threat of Outsiders, Movie People, and Uppity Women at the council meeting a few minutes later, which is presided over by Temptation's actual Mayor, Phineas T. Tucker. If Temptation were a kingdom, Phin would be the town's King. His father, Phineas T Tucker III, was mayor before him, as was his father Phineas T. Tucker II and his father Phineas T Tucker the first. They've used the same political posters for decades (that read Tucker - More of the Same), and have never even had to change the mayoral plaque at the bottom of the Temptation Welcome sign.

However, Phin really doesn't like being mayor. He's an easy-going guy who likes books, beers, pool, and his nine-year-old daughter Dillie. He's been pressed into service for several terms now by his Lady Macbeth of a mother, the family maxim "Tuckers don't lose," and the knowledge that if he doesn't win the mayoral race, Stephen Garvey will. The Tucker dynasty was broken only once when Phin's dad lost to Stephen's, but the two dark years of Mayor Garvey's rule convinced Phin that while he's not fond of being Phineas T. Tucker the Fourth, it's better than the alternative.

However, Phin knows that Stephen will use anything to his advantage in the upcoming election, including accusing Phin of abetting the production of pornography, so he heads down to Clea's house to make sure Sophie and Amy are on the up-and-up. He's attracted to Sophie, who identifies him as a Town Boy and goes into Hostile-Defense mode, but he isn't entirely convinced that their movie is clean.

However, after a few arguments and interchanges and handiwork, Sophie and Phin allow themselves to fall into a commitment-free sexual relationship. Both are attracted to each other but unwilling to get too involved, Sophie because Phin is a Town Boy, and Phin because he's been burned before (by Dillie's now-deceased mother) and knows that an obvious relationship to her will jeopardize his standing in the election.

Of course, both of them start getting stronger feelings for each other, but obstacles start showing up in droves, in true Crusie madcap screwball style. Sophie and Phin's attempts to be romantic are repeatedly sabotaged by their disapproving relatives. Clea's old producer Leo shows up and is willing to produce their film - but he'll have to spruce it up with actual pornographic scenes first or it won't sell. Clea's adulterous boor of an ex-husband, Zane, arrives and is willing to blackmail just about everyone in Temptation to get Clea's movie shut down - and then he winds up dead.

I think one of the main reasons I loved this book was the setting. The town of Temptation. Population, about two thousand. Jennifer Crusie manages to create a wonderful town with its own politics and battle lines and rivalries, and stuffs it full of fantastically diverse characters. I'm a fan of small-town stories, but oftentimes they can veer into the twee, where characters are wacky just for the wackiness of it. Crusie crafts a realistic environment with a large (and largely endearing) cast of characters, all of whom are well-written. None of them are given a cutesy sugar-cookie background, and none of them are cardboard cutouts with nametags that read, "Hi! My Quirk is __________".

I mean, even Liz was given a background that sufficiently explained her frequently atrocious behaviour. I know there are nasty or annoying people in this world, and I know that nasty and annoying people make for interesting literary conflict. But they have to be human characters and human beings are motivated and have reasons for the nasty or annoying shit they pull. Thankfully, all of Jennifer Crusie's characters get a thorough, well-written workthrough. So basically, I loved the novel. Loved loved loved it. I loved the hero - I loved the heroine. I loved the town and its quirks (like their phallic-symbol water tower). I'll definitely be re-reading this again and again. A+.

"Countdown," by Michelle Maddox (Half-Review)


The Chick: Kira Jordan, a cynical thief and pickpocket who's managed to keep herself alive with her "flex," a mild psychic ability that allows her to read people's intentions. That is, until she's kidnapped and forced to participate in the deadly reality game show The Countdown.
The Rub: Terrified of the dark. Because it was dark when a burglar murdered her entire family seven years ago, natch.

The Dude:
Rogan Ellis, a convicted rapist and murderer of nine women who volunteers for The Countdown because, well, he's got 500 years worth of consecutive life sentences to work off, so why not?
The Rub: He might actually be innocent of the rape and murder charges, but he still knows more about The Countdown than he lets on.

The Plot:

Kira: Where am I? What's going on?

Evil Announcer: Welcome to the COUNTDOWN! Play or DIE!

Rogan: Looks like we'll have to work together!

Kira: But I don't know who to trust!

Evil Doctor: Kira, Rogan killed your family!

Evil Fellow Competitor: No, I killed your family!

Rogan's Brother: I'm an evil computer virus!

Kira: ... ... Dammit, my head hurts. Let's just have sex.

Evil Anonymous Audience: SCORE!

Romance Convention Checklist:

1 World-Weary Tough-as-Nails Street Gal

1 Rugged Hero with a Daaaaark Paaaaast

1 Accidentally Televised Bout of Lovemaking

1 Inappropriately Short Skirt

1 Inconvenient Phobia

1 Nasty (or IS he?) Relative

1 Lacklustre Sexual Rival

Sci-Fi Convention Checklist:

1 Evil Robot Accountant

1 Not-So-Mad Mad Scientist

1 Example of Psychic Powers

2 Miraculous Healing Serums

1 Villain Who Wants to Take Over the World, nyaah!

The Word:
Nuh-uh. I think the good folks at Green Man Review must be on to me - they're sending me more sci-fi and fantasy romances than just plain sci-fi and fantasy. You'll have to head on down to Greenmanreview.com in about a month or so to see my review.